- BPM
- 87
- Key
- D Major
- Camelot
- 10B
Lauda anima "Praise, My Soul, the King of Heaven" - John Goss, Manchester Cathedral Choir, Jeffrey Makinson, Christopher Stokes Information
- Acousticness
- 96%
- Danceability
- 19%
- Energy
- 14%
- Instrumentalness
- 58%
- Liveness
- 8%
- Loudness
- 70%
- Speechiness
- 4%
- Valence
- 8%
- Popularity
- 11%
- Loudness
- -18.289 dB
Summary
"Lauda anima "Praise, My Soul, the King of Heaven"" by John Goss, Manchester Cathedral Choir, Jeffrey Makinson, Christopher Stokes was released on January 2, 2004. The duration of Lauda anima "Praise, My Soul, the King of Heaven" is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Lauda anima "Praise, My Soul, the King of Heaven"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "The Complete New English Hymnal, Vol. 18". In this album, this song's track order is #21. Lauda anima "Praise, My Soul, the King of Heaven" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Lauda anima "Praise, My Soul, the King of Heaven" BPM
With Lauda anima "Praise, My Soul, the King of Heaven" by John Goss, Manchester Cathedral Choir, Jeffrey Makinson, Christopher Stokes having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Lauda anima "Praise, My Soul, the King of Heaven" Key
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Psalm 9 "I Will Give Thanks unto Thee, O Lord" | Thomas Attwood Walmisley, York Minster Choir, John Scott Whiteley, Philip Moore | A Major | 1 | 11B | 82 BPM | |
 | Hyfrydol "Alleluia! Sing to Jesus" | Rowland H. Prichard, The Chapel Choir of Selwyn College, Cambridge, Timothy Morgan, Daveth Clark, Sarah MacDonald | F Major | 1 | 7B | 130 BPM | |
 | Wesley: Lo! He Comes with Clouds Descending (Helmsley) - 1. Lo! He Comes with Clouds Descending | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | G Major | 1 | 9B | 131 BPM | |
 | Elgar: The Spirit Of The Lord Is Upon Me | Manchester Cathedral Choir, Jeffrey Makinson | A♭ Major | 0 | 4B | 79 BPM | |
 | Cantate Domino canticum novum | Hans Leo Hassler, Voices of Ascension Chorus, Dennis Keene | D Major | 1 | 10B | 128 BPM | |
 | Come, Holy Ghost, Our Souls Inspire | The Choir of St. Mary's Episcopal Cathedral | E♭ Major | 0 | 5B | 110 BPM | |
 | We Come | Faith Builders Chorale, Brandon Mullet | E♭ Major | 1 | 5B | 65 BPM | |
 | Psalm 29: Bring unto the Lord, O ye mighty | Henry Thomas Smart, The Choir Of Westminster Abbey, Martin Neary | A Major | 1 | 11B | 77 BPM | |
 | Good Ale | Peter Warlock, John Goss, Cathedral Male Voice Quartet | G Major | 1 | 9B | 174 BPM | |
 | Stanford: Six Short Preludes & Postludes, set 2, Op. 105: Stanford: Six Short Preludes & Postludes, I. On a theme of Orlando Gibbons, Song 34 "The Angel's Song" | Christopher Stokes | F Major | 0 | 7B | 66 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.670912504196167
End: 0.6744318008422852