Alta Musica, Maria Köpcke, Juliane Sprengel, Anja Schumacher, Caroline Schneider, Dagmar Jaenicke, Hans-Jürgen Burggaller, Petra Prieß, Michael Metzler, Rainer Böhm's 'Hé, mi enfant' came out on March 16, 2011. With Hé, mi enfant being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 16 in Amours me fait desirer by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Hé, mi enfant is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hé, mi enfant by Alta Musica, Maria Köpcke, Juliane Sprengel, Anja Schumacher, Caroline Schneider, Dagmar Jaenicke, Hans-Jürgen Burggaller, Petra Prieß, Michael Metzler, Rainer Böhm is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quant voi la flour boutener | Gace Brulé, Alla Francesca, Emmanuel Bonnardot, Raphaël Boulay, Pierre Hamon, Brigitte Lesne | D♭ Major | 1 | 3B | 73 BPM | ||
Laetatus sum | Tomás Luis de Victoria, The Sixteen, Harry Christophers | G Major | 4 | 9B | 105 BPM | ||
When the Song of the Angels is Stilled | Antonio Gabriel "Ariel" G. Arambulo, Ariel Arambulo | E♭ Major | 0 | 5B | 124 BPM | ||
Es leucht durch graw | Alta Musica, Maria Köpcke, Juliane Sprengel, Anja Schumacher, Caroline Schneider, Dagmar Jaenicke, Hans-Jürgen Burggaller, Petra Prieß, Michael Metzler, Rainer Böhm | A Major | 0 | 11B | 73 BPM | ||
O quanta qualia | Peter Abelard, Augsburg Early Music Ensemble | A Major | 0 | 11B | 69 BPM | ||
Deuxième Livre de Pièces de Viole: Tombeau pour Mr de Sainte-Colombe | Marin Marais, Noémie Lenhof, Guillaume Haldenwang, Alice Trocellier, Nicolas Wattinne | D♭ Major | 0 | 3B | 78 BPM | ||
The Little Consort, Suite No. 10 in D Minor and D Major: II. Ayre | Matthew Locke, Phantasm, Elizabeth Kenny | D♭ Major | 1 | 3B | 100 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Glory to You, God | Komitas, Armen Badalyan, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | G Major | 2 | 9B | 84 BPM | ||
Menuet de Poitou de Couprin le père / Autre de Poitou / Menuet de Poitou / Autre de Poitou par Mle de la Chataigneraye / Autre de Poitou / Menuet de Poitou / Menuet d’Anne Philidor | Charles Couperin, Mademoiselle de la Chataigneraye, Anne Danican Philidor, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Intrada à 5 | Johann Hermann Schein, Ricercar Consort, Philippe Pierlot | G Minor | 2 | 6A | 117 BPM |
Section: 0.5577220916748047
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