Johann Sebastian Bach, Glenn Gould's 'Prelude & Fugue in B-Flat Major, BWV 898' came out on 1957. With this song being about 5 minutes long, at 5:22, "Prelude & Fugue in B-Flat Major, BWV 898" by Johann Sebastian Bach, Glenn Gould is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Johann Sebastian Bach, Glenn Gould's "Glenn Gould plays Bach: 6 Partitas BWV 825-830; Chromatic Fantasy BWV 903; Italian Concerto BWV 971; The Art of the Fugue BWV 1080 (excerpts); Preludes, Fugues & Fantasies" album is number 17 out of 90. On top of that, United States appears to be the country where this track was created. In terms of popularity, Prelude & Fugue in B-Flat Major, BWV 898 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Prelude & Fugue in B-Flat Major, BWV 898 by Johann Sebastian Bach, Glenn Gould to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 13 in D Minor | John Field, Benjamin Frith | F Major | 1 | 7B | 69 BPM | ||
Partita No. 5 in G Major, BWV 829: V. Menuet | Glenn Gould | A Major | 1 | 11B | 178 BPM | ||
Johannes-Passion, BWV 245.1: 16. Recitativo: Da führeten sie Jesum | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Tobias Berndt, Daniel Ochoa | D Major | 2 | 10B | 172 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM | ||
Sonata in D Major, K.119: Allegro | Domenico Scarlatti, Daria van den Bercken | D Major | 2 | 10B | 126 BPM | ||
6 Little Preludes: No. 2 in C Minor, BWV 934 | Johann Sebastian Bach, Glenn Gould | D Minor | 2 | 7A | 109 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Major, BWV 1061: 3. Fuga (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Major | 3 | 8B | 103 BPM | ||
Keyboard Sonata No. 59 in E-Flat Major, Hob. XVI:49: II. Adagio e cantabile | Franz Joseph Haydn, Glenn Gould | E♭ Major | 1 | 5B | 134 BPM |
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