Friedrich Gulda, Martin David Jones made "Play Piano Play "10 Pieces for Yuko": No. 6, Presto possibile" available on April 13, 2018. With Play Piano Play "10 Pieces for Yuko": No. 6, Presto possibile being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Friedrich Gulda, Martin David Jones's "Gulda: Piano Works" album is number 7 out of 18. Based on our statistics, Play Piano Play "10 Pieces for Yuko": No. 6, Presto possibile's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Play Piano Play "10 Pieces for Yuko": No. 6, Presto possibile by Friedrich Gulda, Martin David Jones to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Étude: Op. 76 No. 2 | Jean Sibelius, Alba Ventura | A Minor | 3 | 8A | 111 BPM | ||
L’égyptienne | Jean-Philippe Rameau, Víkingur Ólafsson | G Minor | 3 | 6A | 112 BPM | ||
Prelude and Fugue | Friedrich Gulda | B Major | 2 | 1B | 108 BPM | ||
Intimate Sketches: No. 13, Lord Jesus Christ is Born | Leoš Janáček, Olena Kushpler | B♭ Major | 1 | 6B | 99 BPM | ||
3. Adagisissimo (Capriccio in B flat) | Johann Sebastian Bach, Friedrich Gulda | E♭ Minor | 4 | 2A | 110 BPM | ||
Saint-Saëns: Clarinet Sonata in E-Flat Major, Op. 167: I. Allegretto | Camille Saint-Saëns, Sabine Meyer | E♭ Major | 0 | 5B | 126 BPM | ||
Etude in C-Sharp Minor, Op. 2/1 | Alexander Scriabin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 70 BPM | ||
Erbarme dich, mein Gott (From the St. Matthew Passion) | Johann Sebastian Bach, Eugen Cicero | E Minor | 3 | 9A | 136 BPM | ||
8 Concert Etudes, Op. 40: No. 1, Prelude | Nikolai Kapustin, Catherine Gordeladze | C Minor | 3 | 5A | 127 BPM | ||
Tarentelle, Op. 6: Tarantelle, Op. 6 | Camille Saint-Saëns, Joanna G'froerer, Kimball Sykes, Stephane Lemelin | G Major | 1 | 9B | 91 BPM |
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