Nikolai Kapustin, Catherine Gordeladze's '8 Concert Etudes, Op. 40: No. 1, Prelude' came out on January 4, 2011. The duration of 8 Concert Etudes, Op. 40: No. 1, Prelude is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. 8 Concert Etudes, Op. 40: No. 1, Prelude's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nikolai Kapustin, Catherine Gordeladze's "Kapustin: 8 Concert Etudes - 24 Preludes" album is number 1 out of 32. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, 8 Concert Etudes, Op. 40: No. 1, Prelude's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 8 Concert Etudes, Op. 40: No. 1, Prelude by Nikolai Kapustin, Catherine Gordeladze to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude No. 3 | George Gershwin, Jon Nakamatsu | E♭ Minor | 3 | 2A | 116 BPM | ||
Langsamer Satz | Anton Webern, Novus Quartet | E♭ Major | 1 | 5B | 90 BPM | ||
Hymnus for 12 Cellos, Op. 57 | Julius Klengel, Andreas Brantelid, Ingemar Brantelid, Henrik Dam Thomsen, Øystein Sonstad, Niels Ullner, Emilie Eskær, Jakob La Cour, Louisa Schwab, Morten Zeuthen, Live Johansson, Samira Dayyani, Lea Brøndal | D♭ Minor | 1 | 12A | 114 BPM | ||
Concerto No. 2 in B Minor for Double Bass and Orchestra: II. Andante | Giovanni Bottesini, Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff | G Major | 0 | 9B | 73 BPM | ||
Scaramouche, Op. 165d (version for clarinet and piano): III. Brazileira | Darius Milhaud, Jean-Marc Fessard, Eliane Reyes | D Minor | 3 | 7A | 138 BPM | ||
A Morning in the Woods | Leo Ornstein, Janice Weber | B♭ Minor | 0 | 3A | 63 BPM | ||
I Got Rhythm (Version for Piano) | George Gershwin, Elizabeth Hayes | D♭ Major | 3 | 3B | 134 BPM | ||
Triakontameron: No. 11, Alt-Wien (Arr. J. Heifetz for Violin & Piano) | Leopold Godowsky, Nazrin Rashidova, Roderick Chadwick | E Minor | 1 | 9A | 86 BPM | ||
Dr Gradus Ad Parnassum | Ezra Rachlin | D Minor | 0 | 7A | 70 BPM | ||
Pas trop vite | Germaine Tailleferre, Cristina Ariagno | D♭ Minor | 0 | 12A | 76 BPM |
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