"Andrea Chénier: La mamma morta" by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Antonia Cifrone was released on May 15, 2012. Andrea Chénier: La mamma morta is about six minutes long, preciously at 6:28, making this song fairly long compared to other songs. There are a total of 55 in the song's album "Ultimate Opera Collection: Greatest Arias of All Time". In this album, this song's track order is #33. Andrea Chénier: La mamma morta is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Andrea Chénier: La mamma morta by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Antonia Cifrone having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Buon giorno principessa | Nicola Piovani | A Major | 1 | 11B | 86 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Fascination | Fernando Dante Marchetti, Christian-Pierre La Marca | C Major | 0 | 8B | 110 BPM | ||
Symphonie No. 1 en re majeur: III. Feierlich und gemessen, ohne zu schleppen (Extrait) | Budapest Symphony Orchestra | A Minor | 0 | 8A | 125 BPM | ||
Trois Gymnopédies: No. 1, Lent et douloureux | Erik Satie, Stéphane Blet | D Major | 0 | 10B | 75 BPM | ||
Canone di Pachelbel - organo | Canone di Pachelbel, Matrimonio, Musica Classica | D Major | 3 | 10B | 72 BPM | ||
String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM | ||
Le Carnaval des Animaux, R. 125: Le Cygne | Camille Saint-Saëns, Jascha Silberstein, Marie Goossens | G Major | 0 | 9B | 110 BPM | ||
Mia cara Olimpia | Nicola Piovani | F Major | 0 | 7B | 82 BPM | ||
Il Barbiere di Siviglia: La calunnia è un venticello | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 93 BPM |
Section: 0.648007869720459
End: 0.6534922122955322