Dietrich Buxtehude, Paolo Pandolfo, Ton Koopman, Mike Fentross, Catherine Manson made "Trio sonatas opus 1: Sonata in G op. 1 nr. 2 BuxWV 253" available on February 21, 2011. Since Trio sonatas opus 1: Sonata in G op. 1 nr. 2 BuxWV 253 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 7 in Buxtehude: Opera Omnia XIII: Chamber music vol. 2 by Dietrich Buxtehude, members of the Amsterdam Baroque Orchestra, Ton Koopman. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Trio sonatas opus 1: Sonata in G op. 1 nr. 2 BuxWV 253 is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Trio sonatas opus 1: Sonata in G op. 1 nr. 2 BuxWV 253 by Dietrich Buxtehude, Paolo Pandolfo, Ton Koopman, Mike Fentross, Catherine Manson is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Minor | 1 | 12A | 110 BPM | ||
Exaudiat te Dominus (Psalm 19): Gloria | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B♭ Major | 4 | 6B | 115 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Air gracieux pour les Peuples d’Amathonte | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 0 | 1A | 133 BPM | ||
Sonata Sexta in F Minor for Violin: II. Allegro | Daniel Purcell, La Rêveuse, Florence Bolton, Benjamin Perrot, Stephan Dudermel | B♭ Minor | 0 | 3A | 135 BPM | ||
Hamburg Symphony No. 3 in C Major, Wq. 182: III. Allegretto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Concerto VIII in C Minor: IV. Adagio | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad faciem: Aria "Salve, caput cruentatum" | Dietrich Buxtehude, Mena Guillon Ricercar Consort, Philippe Pierlot, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Chamber Sonata No. 4 in G Minor: IV. Presto | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 2 | 11A | 121 BPM | ||
Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM | ||
Concerto in F Major, Op. 6 No. 6: I. Adagio | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | G Minor | 1 | 6A | 32 BPM |
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