Maurice Greene, Peter Holman, Catherine Bott, The Parley of Instruments's 'Orpheus with His Lute' had a release date set for April 1, 2004. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Orpheus with His Lute's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Orpheus with His Lute: Music for Shakespeare from Purcell to Arne (English Orpheus 50)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Orpheus with His Lute is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Orpheus with His Lute by Maurice Greene, Peter Holman, Catherine Bott, The Parley of Instruments having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Selig sind die Toten | Heinrich Schütz, Elizabeth Futral, Judith Malafronte, Frederick Urrey, Wilbur Pauley, Richard Westenburg | G Major | 1 | 9B | 127 BPM | ||
Kronstorfer Messe in D Minor, WAB 146: II. Sanctus | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 127 BPM | ||
Missa Sanctae Crucis, MH 56: Gloria | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | G Major | 3 | 9B | 121 BPM | ||
Israel in Egypt, HWV 54, Pt 3. "Moses' Song": IX. Who is like unto thee (Chorus) | George Frideric Handel, Apollo's Fire, Jeannette Sorrell, Apollo's Singers | B Major | 4 | 1B | 110 BPM | ||
The Second Dirge Anthem: Man That Is Born of a Woman – In the Midst of Life – Thou Knowest, Lord, Z. 58b | Thomas Morley, Henry Purcell, Vox Luminis, Lionel Meunier | A♭ Minor | 1 | 1A | 135 BPM | ||
Come, ye sons of art, away (1694) Ode for the Birthday of Queen Mary II: Come, ye sons of art, away | Henry Purcell, Michael Chance, The English Concert, Trevor Pinnock, The English Concert Choir | D♭ Major | 2 | 3B | 81 BPM | ||
Burial Service: III. Thou Knowest, Lord, the Secrets of our Hearts | Thomas Morley, Michael Bawtree, Annabell McLauchlan, David Rowland | G Minor | 1 | 6A | 105 BPM | ||
Short Service: Nunc dimittis (Short Service) | Orlando Gibbons, Oxford Camerata, Jeremy Summerly | A♭ Major | 1 | 4B | 74 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Salve mundi salutare" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane | C Minor | 2 | 5A | 90 BPM | ||
A Collection of Lessons: Pieces in C Minor: II. Gigue | Maurice Greene, David Schrader | E♭ Minor | 3 | 2A | 84 BPM |