"Violin Concerto in D Major, JunP I.7: II. Andante" by Johann Georg Pisendel, Freiburger Barockorchester, Gottfried Von Der Goltz was released on 1990. The duration of Violin Concerto in D Major, JunP I.7: II. Andante is about 3 minutes long, at 3:01. Based on our data, "Violin Concerto in D Major, JunP I.7: II. Andante" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 183 in Freiburger Barockorchester-Edition by Freiburger Barockorchester. Violin Concerto in D Major, JunP I.7: II. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto in D Major, JunP I.7: II. Andante by Johann Georg Pisendel, Freiburger Barockorchester, Gottfried Von Der Goltz is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scylla et Glaucus, Op. 11: Prologue. Air gracieux pour les Peuples d’Amathonte | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 0 | 1A | 133 BPM | ||
Sonata a 7 for 2 Trumpets in D Major: I. Grave | Petronio Franceschini, Niklas Eklund, Jeffrey Segal, Wasa Baroque Ensemble, Edward H. Tarr | E Minor | 1 | 9A | 66 BPM | ||
Symphony in C Major, H. 659, Wq. 182/3: I. Allegro assai | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
Symphony in E-Flat Major, W. I/10: II. Andante assai | Johann Christoph Friedrich Bach, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | C Minor | 1 | 5A | 171 BPM | ||
Sonata in A Minor, QV 2:41a/b: IV. Allegro | Johann Joachim Quantz, Ensemble Zefiro, Alfredo Bernardini | F♯ Minor | 3 | 11A | 105 BPM | ||
Concerto for Two Violins in D Minor, BWV 1063r: II. Alla Siciliana | Johann Sebastian Bach, Combattimento | F Major | 2 | 7B | 171 BPM | ||
Sinfonia No. 5 in B-Flat Major, MWV N5: I. Allegro vivace | Felix Mendelssohn, Northern Chamber Orchestra, Nicholas Ward | A Minor | 0 | 8A | 65 BPM | ||
Concerto Grosso in E-Flat Major, Op. 7 No. 6 "Il Pianto d'Arianna": IV. Grave | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | D Major | 1 | 10B | 134 BPM | ||
Concerto Armonico No. 2 in B-Flat Major: Largo andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 1 | 12B | 106 BPM | ||
Symphony in A Major, Eisen A1: III. Allegro | Leopold Mozart, Toronto Chamber Orchestra, Kevin Mallon | A Major | 0 | 11B | 97 BPM |
Section: 0.7143189907073975
End: 0.7200267314910889