Little Fugue in G Minor, BWV 578 (Arr. Borwick for Piano) - Johann Sebastian Bach, Jonathan Plowright Information

Acousticness: 99%
Danceability: 42%
Energy: 1%
Instrumentalness: 95%
Liveness: 9%
Loudness: 56%
Speechiness: 5%
Valence: 4%
Popularity: 0%
Loudness: -26.213 dB

Summary

"Little Fugue in G Minor, BWV 578 (Arr. Borwick for Piano)" by Johann Sebastian Bach, Jonathan Plowright had its release date on August 31, 2010. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 20 in Bach: Piano Transcriptions, Vol. 9 – A Bach Book for Harriet Cohen by Johann Sebastian Bach, Jonathan Plowright, Johann Ludwig Krebs. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Little Fugue in G Minor, BWV 578 (Arr. Borwick for Piano)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Little Fugue in G Minor, BWV 578 (Arr. Borwick for Piano) BPM

The tempo marking of Little Fugue in G Minor, BWV 578 (Arr. Borwick for Piano) by Johann Sebastian Bach, Jonathan Plowright is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.

Little Fugue in G Minor, BWV 578 (Arr. Borwick for Piano) Key

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Violin Partita No. 3 in E Major, BWV 1006: II. Loure	Johann Sebastian Bach, Christian Tetzlaff	D♭ Minor	0	12A	135 BPM
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Piano Concerto in G Major, M. 83: II. Adagio assai	Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez	E Major	0	12B	74 BPM
Overture in D Minor, TWV 55:2: Menuet II. Doucement	Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire	F Major	0	7B	126 BPM
The Four Seasons - Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": II. Largo e pianissimo sempre	Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields	D♭ Minor	1	12A	176 BPM
Piano Sonata No. 17 In D Minor, Op. 31, No. 2 -"The Tempest": 3. Allegretto - Live	Ludwig van Beethoven, András Schiff	G Minor	1	6A	137 BPM
Waldszenen, Op. 82: 3. Einsame Blumen	Robert Schumann, Mitsuko Uchida	B♭ Major	0	6B	69 BPM
Cello Concerto in G Minor, RV 416: III. Allegro	Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer	G Minor	1	6A	135 BPM
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano)	Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason	A Major	1	11B	89 BPM

ISRC: GBAJY1076701
Label: L-M Records/RCA Records