- BPM
- 76
- Key
- F♯ Minor
- Camelot
- 11A
Tema e Variazioni in Mi Maggiore "Per la Granduchessa di Parma", MS 79 - Niccolò Paganini, Guido Rimonda, Camerata Ducale Information
- Acousticness
- 95%
- Danceability
- 11%
- Energy
- 10%
- Instrumentalness
- 91%
- Liveness
- 10%
- Loudness
- 71%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 21%
- Loudness
- -17.468 dB
Summary
"Tema e Variazioni in Mi Maggiore "Per la Granduchessa di Parma", MS 79" by Niccolò Paganini, Guido Rimonda, Camerata Ducale was released on September 1, 2017. Tema e Variazioni in Mi Maggiore "Per la Granduchessa di Parma", MS 79 appears to be safe for all ages as it is not explicit. The track order of this song in Guido Rimonda, Camerata Ducale's "Le Violon Noir" album is number 13 out of 20. On top of that, Italy appears to be the country where this track was created. Tema e Variazioni in Mi Maggiore "Per la Granduchessa di Parma", MS 79 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Tema e Variazioni in Mi Maggiore "Per la Granduchessa di Parma", MS 79 BPM
We consider the tempo marking of Tema e Variazioni in Mi Maggiore "Per la Granduchessa di Parma", MS 79 by Niccolò Paganini, Guido Rimonda, Camerata Ducale to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Tema e Variazioni in Mi Maggiore "Per la Granduchessa di Parma", MS 79 Key
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Violin Concerto No. 2 in A Major, Op. 5: II. Largo | Joseph Boulogne Chevalier de Saint-Georges, Anne-Sophie Mutter, Mutter's Virtuosi | D Minor | 1 | 7A | 104 BPM | |
 | 12 Bagatelles, Op. 13: No. 9. L'abeille (The Bee) | Franz Francois Schubert, Leonidas Kavakos, Péter Nagy | E Minor | 3 | 9A | 113 BPM | |
 | ヴァイオリン協奏曲 ニ長調 Op. 77: II. Adagio | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | C Major | 1 | 8B | 67 BPM | |
 | Viola Concerto in G Minor: I. Appassionato - Moderato | Cecil Forsyth, Philharmonie Baden-Baden, Hartmut Rohde, Pavel Baleff | G Minor | 1 | 6A | 104 BPM | |
 | Suite for 2 Violins & Piano, Op. 71: III. Lento assai | Moritz Moszkowski, Nazrin Rashidova, Daniel Grimwood | E Minor | 1 | 9A | 103 BPM | |
 | Marchenbilder (Fairy Tales), Op. 113: III. Rasch | Robert Schumann, Tabea Zimmermann, Hartmut Höll | F Major | 1 | 7B | 82 BPM | |
 | Prokofiev: Violin Concerto No. 2 in G Minor, Op. 63: II. Andante assai | Sergei Prokofiev, David Oistrakh, Philharmonia Orchestra, Alceo Galliera | A♭ Major | 0 | 4B | 97 BPM | |
 | Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) | Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu | G Minor | 1 | 6A | 157 BPM | |
 | The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): II. Adagio - Presto | Karoly Botvay | G Minor | 0 | 6A | 87 BPM | |
 | Caprice in A minor, Op. 1, No. 5 | Mayuko Kamio | A Minor | 3 | 8A | 176 BPM |
- ISRC
- ITUM71701083
- Label
- L-M Records/RCA Records
Section: 0.6374318599700928
End: 0.6410305500030518