"Music for Ensemble and Orchestra: I. Sixteenths" by Steve Reich, Los Angeles Philharmonic, Susanna Mälkki was released on September 30, 2022. With this song being about 5 minutes long, at 4:58, "Music for Ensemble and Orchestra: I. Sixteenths" by Steve Reich, Los Angeles Philharmonic, Susanna Mälkki is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Steve Reich: Runner / Music for Ensemble and Orchestra". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, Music for Ensemble and Orchestra: I. Sixteenths is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Music for Ensemble and Orchestra: I. Sixteenths by Steve Reich, Los Angeles Philharmonic, Susanna Mälkki having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Notations pour piano: I Fantasque - Modéré | Pierre Boulez, David Fray | D♭ Major | 0 | 3B | 79 BPM | ||
Adès: Dante, Pt. I "Inferno": IV. Pavan of the Souls in Limbo— | Thomas Adès, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale | A Minor | 0 | 8A | 107 BPM | ||
Something Wild in the City: Mary Ann's Theme (1960) for horn, celesta, and string Quartet | Morton Feldman, Ensemble Recherche | A Major | 0 | 11B | 94 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Confessions: Dog and Frog | Orchestra of the Swan, David Gordon, Mark Ashford, Diane Clark | A Minor | 0 | 8A | 62 BPM | ||
Suite de danzas criollas, Op. 15 (2nd version): I. Adagietto pianissimo | Alberto Ginastera, Fernando Viani | C Major | 0 | 8B | 129 BPM | ||
Now Found Is The Fairest Of Roses (Arr. For String Quartet) | Traditional, Danish String Quartet | G Major | 0 | 9B | 96 BPM | ||
Piano Concerto No. 4 in G Minor, Op. 40 (1941 3rd Version): I. Allegro vivace | Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | F♯ Major | 0 | 2B | 114 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Piano Concerto No. 4 in G Minor, Op. 40 (1941 3rd Version): II. Largo | Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 0 | 8B | 81 BPM |
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