Sergei Prokofiev, André Previn, London Symphony Orchestra's 'Prokofiev: Cinderella, Op. 87, Act 2: Cavaliers' Dance' came out on January 10, 1995. With Prokofiev: Cinderella, Op. 87, Act 2: Cavaliers' Dance being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 54 in the song's album "Prokofiev: Cinderella - Ballet/Symphony No. 1". In this album, this song's track order is #22. Based on our statistics, Prokofiev: Cinderella, Op. 87, Act 2: Cavaliers' Dance's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Prokofiev: Cinderella, Op. 87, Act 2: Cavaliers' Dance by Sergei Prokofiev, André Previn, London Symphony Orchestra having a BPM of 159 with a half-time of 80 BPM and a double-time of 318 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 16, Madrigal | Sergei Prokofiev, André Previn, London Symphony Orchestra | C Major | 0 | 8B | 72 BPM | ||
Don Quixote: Act II: Giga | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | F Major | 3 | 7B | 109 BPM | ||
Meditation: Méditation from Thaïs | Jules Massenet, Nicola Benedetti, London Symphony Orchestra, Daniel Harding | E Minor | 1 | 9A | 89 BPM | ||
Aleko: Intermezzo | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 0 | 6B | 90 BPM | ||
Capriccio Espagnol, Op. 34: III. Alborada | Nikolai Rimsky-Korsakov, George Szell, Cleveland Orchestra | B♭ Major | 4 | 6B | 126 BPM | ||
Don Quixote: Act III: Scene | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | F Major | 1 | 7B | 74 BPM | ||
Raymonda, Act I: Grand Valse | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Major | 1 | 10B | 179 BPM | ||
Act III: Pas De Deux (Kitri & Basil) (Minkus) | Mariinsky Orchestra | C Major | 2 | 8B | 182 BPM | ||
Carmina Burana: XIII. Ego sum abbas | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D♭ Major | 2 | 3B | 120 BPM | ||
L'Oiseau de feu, K010: XI. Lever du jour | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | B♭ Major | 0 | 6B | 103 BPM |
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