"Magnificat & Nunc dimittis in F "Collegium Regale": II. Nunc dimittis" by Charles Wood, St. Paul's Cathedral Choir, John Scott, Christopher Dearnley was released on December 1, 1987. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in St. Paul's Cathedral Choir, Charles Villiers Stanford, John Scott, Thomas Attwood Walmisley, Christopher Dearnley, Samuel Sebastian Wesley, Hugh Blair, Charles Wood, Herbert Brewer's "My Soul Doth Magnify the Lord: Magnificat & Nunc Dimittis Settings Vol. 1 - Stanford, Walmisley, Wesley, Wood etc." album is number 10 out of 12. On top of that, United Kingdom appears to be the country where this track was created. Magnificat & Nunc dimittis in F "Collegium Regale": II. Nunc dimittis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Magnificat & Nunc dimittis in F "Collegium Regale": II. Nunc dimittis by Charles Wood, St. Paul's Cathedral Choir, John Scott, Christopher Dearnley to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Looduspildid No. 3 "Sügismaastikud": II. Üle taeva jooksevad pilved | Veljo Tormis, Allmänna Sången, Cecilia Rydinger Alin | B♭ Minor | 0 | 3A | 78 BPM | ||
Magnificat in D Major | Herbert Brewer, Gloucester Cathedral Choir, Mark Lee, John Sanders | F Major | 0 | 7B | 140 BPM | ||
A Hymn to the Virgin | Benjamin Britten, Phoenix Chorale, Charles Bruffy, Kira Rugen, Amy Perciballi, Robert Comeaux, David Topping | E Major | 0 | 12B | 81 BPM | ||
Adoramus te, Christe | Théodore Dubois, Vienna Chamber Choir, Michael Grohotolsky | C Major | 0 | 8B | 102 BPM | ||
Dialogues des Carmélites, FP 159: Ave Maria | Francis Poulenc, Cantus Juvenum Karlsruhe, Carsten Wiebusch, Peter Gortner | B Minor | 2 | 10A | 115 BPM | ||
St Anne’s Mass: IV. Agnus Dei | James MacMillan, Cappella Nova, Alan Tavener | F Major | 0 | 7B | 64 BPM | ||
In Remembrance | Eleanor Daley, Atlanta Master Chorale | E Major | 1 | 12B | 107 BPM | ||
Psalm 29: Bring unto the Lord, O ye mighty | Henry Thomas Smart, The Choir Of Westminster Abbey, Martin Neary | A Major | 1 | 11B | 77 BPM | ||
Kiss Me, Kate: Tom, Dick or Harry | Cole Porter, Edwin Clay, Harold Lang, Charles Wood, Lisa Kirk, Pembroke Davenport, Original Broadway Cast Orchestra | A♭ Major | 3 | 4B | 123 BPM | ||
Da solen påskemorgen kom | Jørgen Sørensen, Thisted Kirkes Drenge Mandskor, Preben Nørgaard Christensen | F Major | 1 | 7B | 74 BPM |
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