Franz Lehár, State Orchestra of Victoria, John Lanchbery's 'The Merry Widow - Act 2 (Arr. Alan Abbott and John Lanchbery): Hanna and Danilo' came out on October 17, 2008. The duration of The Merry Widow - Act 2 (Arr. Alan Abbott and John Lanchbery): Hanna and Danilo is about 3 minutes long, at 3:08. Based on our data, "The Merry Widow - Act 2 (Arr. Alan Abbott and John Lanchbery): Hanna and Danilo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 20 in A Night At The Ballet: The Greatest Music For The Stage by Various Artists. The Merry Widow - Act 2 (Arr. Alan Abbott and John Lanchbery): Hanna and Danilo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Merry Widow - Act 2 (Arr. Alan Abbott and John Lanchbery): Hanna and Danilo by Franz Lehár, State Orchestra of Victoria, John Lanchbery is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | E♭ Major | 2 | 5B | 89 BPM | ||
5 Lieder, Op. 49: No. 4, Wiegenlied | Johannes Brahms, Elly Ameling, Dalton Baldwin | E♭ Major | 0 | 5B | 92 BPM | ||
Annen Polka, Op. 117 | Orchestra of the Viennese Volksoper & Alfred Scholz | D Major | 1 | 10B | 79 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
Schwanengesang, D. 957: No. 4, Ständchen | Franz Schubert, Sumi Jo, Clara Jumi Kang, Wen Xiao Zheng, Christopher Park | D Major | 0 | 10B | 126 BPM | ||
Ball Scene | Joseph Hellmesberger, Jr., Gothenburg Symphony Orchestra, Neeme Järvi | B Major | 3 | 1B | 116 BPM | ||
Così fan tutte, K. 588 / Act I: "Soave sia il vento" | Wolfgang Amadeus Mozart, Miah Persson, Angela Brower, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Minor | 1 | 6A | 88 BPM | ||
La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, José Carreras, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Major | 2 | 12B | 81 BPM | ||
La Gazza Ladra: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | E Minor | 3 | 9A | 145 BPM | ||
Offenbach: Les Brigands: Overture | Jacques Offenbach, John Eliot Gardiner, Orchestre de l'Opéra de Lyon | E♭ Major | 2 | 5B | 89 BPM |
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