"Chichester Psalms: III. Psalm 131 - Psalm 133,1" by Leonard Bernstein, Stephen Cleobury, Britten Sinfonia, Choir of King's College, Cambridge was released on November 25, 2019. Since Chichester Psalms: III. Psalm 131 - Psalm 133,1 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 20 out of 55 in A Requiem for Stephen: Into a Greater Light by Stephen Cleobury, Choir of King's College, Cambridge. In terms of popularity, Chichester Psalms: III. Psalm 131 - Psalm 133,1 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chichester Psalms: III. Psalm 131 - Psalm 133,1 by Leonard Bernstein, Stephen Cleobury, Britten Sinfonia, Choir of King's College, Cambridge is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nabucco: Overture | Giuseppe Verdi, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | C Major | 1 | 8B | 89 BPM | ||
Symphony No. 1, "Afro-American": III. Humor (Animato) | William Grant Still, Fort Smith Symphony, John Jeter | A♭ Major | 2 | 4B | 127 BPM | ||
Pictures At An Exhibition (Orch. Ravel): Promenade II | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 80 BPM | ||
Hungarian Dance No. 1 in G Minor, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 142 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Symphony No. 1 "Jeremiah": II. Profanation | Leonard Bernstein, Jennie Tourel, New York Philharmonic | E Minor | 3 | 9A | 79 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro - | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | G Major | 0 | 9B | 127 BPM | ||
Scheherazade, Op. 35: II. Lento - Andantino "The Legend of the Kalendar Prince" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 59 BPM | ||
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
Caucasian Sketches, Op. 10 (Remastered): IV. Procession of the Sardar | Mikhail Ippolitov-Ivanov, Leonard Bernstein, New York Philharmonic | A Major | 4 | 11B | 105 BPM |
Section: 0.6826155185699463
End: 0.7100405693054199