Die Schopfung (The Creation), Hob.XXI:2: Part II, No.17: Und die Engel ruhrten ihre unsterblichen Harfen (And the angels struck their immortal harps) (Raphael)
Franz Joseph Haydn, Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, Max Ciolek, Christine Wehler, Cologne Vocal Ensemble, Capella Augustina, Andreas Spering
Haydn: Schopfung (Die) (The Creation)
0:25 April 1, 2005
BPM
104
Key
G Major
Camelot
9B

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Die Schopfung (The Creation), Hob.XXI:2: Part II, No.17: Und die Engel ruhrten ihre unsterblichen Harfen (And the angels struck their immortal harps) (Raphael) - Franz Joseph Haydn, Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, Max Ciolek, Christine Wehler, Cologne Vocal Ensemble, Capella Augustina, Andreas Spering Information

Acousticness
94%
Danceability
58%
Energy
1%
Instrumentalness
0%
Liveness
10%
Loudness
52%
Speechiness
6%
Valence
36%
Popularity
Loudness
-28.764 dB

Summary

Franz Joseph Haydn, Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, Max Ciolek, Christine Wehler, Cologne Vocal Ensemble, Capella Augustina, Andreas Spering's 'Die Schopfung (The Creation), Hob.XXI:2: Part II, No.17: Und die Engel ruhrten ihre unsterblichen Harfen (And the angels struck their immortal harps) (Raphael)' came out on April 1, 2005. With Die Schopfung (The Creation), Hob.XXI:2: Part II, No.17: Und die Engel ruhrten ihre unsterblichen Harfen (And the angels struck their immortal harps) (Raphael) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Franz Joseph Haydn, Cologne Vocal Ensemble, Capella Augustina, Andreas Spering's "Haydn: Schopfung (Die) (The Creation)" album is number 18 out of 32. In terms of popularity, Die Schopfung (The Creation), Hob.XXI:2: Part II, No.17: Und die Engel ruhrten ihre unsterblichen Harfen (And the angels struck their immortal harps) (Raphael) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Die Schopfung (The Creation), Hob.XXI:2: Part II, No.17: Und die Engel ruhrten ihre unsterblichen Harfen (And the angels struck their immortal harps) (Raphael) BPM

We consider the tempo marking of Die Schopfung (The Creation), Hob.XXI:2: Part II, No.17: Und die Engel ruhrten ihre unsterblichen Harfen (And the angels struck their immortal harps) (Raphael) by Franz Joseph Haydn, Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, Max Ciolek, Christine Wehler, Cologne Vocal Ensemble, Capella Augustina, Andreas Spering to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Die Schopfung (The Creation), Hob.XXI:2: Part II, No.17: Und die Engel ruhrten ihre unsterblichen Harfen (And the angels struck their immortal harps) (Raphael) Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6401879787445068

End: 0.6458799839019775