Franz Joseph Haydn, Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, Max Ciolek, Christine Wehler, Cologne Vocal Ensemble, Capella Augustina, Andreas Spering's 'Die Schopfung (The Creation), Hob.XXI:2: Part II, No.17: Und die Engel ruhrten ihre unsterblichen Harfen (And the angels struck their immortal harps) (Raphael)' came out on April 1, 2005. With Die Schopfung (The Creation), Hob.XXI:2: Part II, No.17: Und die Engel ruhrten ihre unsterblichen Harfen (And the angels struck their immortal harps) (Raphael) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Franz Joseph Haydn, Cologne Vocal Ensemble, Capella Augustina, Andreas Spering's "Haydn: Schopfung (Die) (The Creation)" album is number 18 out of 32. In terms of popularity, Die Schopfung (The Creation), Hob.XXI:2: Part II, No.17: Und die Engel ruhrten ihre unsterblichen Harfen (And the angels struck their immortal harps) (Raphael) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Die Schopfung (The Creation), Hob.XXI:2: Part II, No.17: Und die Engel ruhrten ihre unsterblichen Harfen (And the angels struck their immortal harps) (Raphael) by Franz Joseph Haydn, Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, Max Ciolek, Christine Wehler, Cologne Vocal Ensemble, Capella Augustina, Andreas Spering to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in E-Flat Major, Op. 3, No. 3, W. C3: III. Allegro | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | E♭ Major | 1 | 5B | 106 BPM | ||
Die 7 letzten Worte unseres Erlosers am Kreuze (The 7 Last Words), Op. 51, Hob.III:50-56 (version for string quartet): L'Introduzione: Maestoso ed adagio | Joseph Haydn, Kodály Quartet | E Major | 1 | 12B | 131 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fantasia | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 138 BPM | ||
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
Violin Concerto in D Minor, Op.47 (1985 - Remaster): II. Adagio di molto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | B♭ Major | 1 | 6B | 87 BPM | ||
ヴァイオリン協奏曲 ニ長調 Op. 77: II. Adagio | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | C Major | 1 | 8B | 67 BPM | ||
Sinfonia Concertante in B-Flat Major, Hob. I:105: I. Allegro | Joseph Haydn, Marieke Blankestijn, Steven Isserlis, Douglas Boyd, Matthew Wilkie, Sir Roger Norrington | A Minor | 3 | 8A | 168 BPM | ||
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment | D♭ Minor | 1 | 12A | 133 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM |
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