"La Traviata - Act. I - E' Strano!... Ah, Forsè Lui… Follie!... Follie!... Sempre Libera Degg'Io…" by Renata Scotto was released on January 1, 1992. La Traviata - Act. I - E' Strano!... Ah, Forsè Lui… Follie!... Follie!... Sempre Libera Degg'Io… appears to be safe for all ages as it is not explicit. The track order of this song in Various Artists's "La Traviata" album is number 3 out of 11. La Traviata - Act. I - E' Strano!... Ah, Forsè Lui… Follie!... Follie!... Sempre Libera Degg'Io… is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Traviata - Act. I - E' Strano!... Ah, Forsè Lui… Follie!... Follie!... Sempre Libera Degg'Io… by Renata Scotto to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Carlo*: Act V: Aria: Tu, che le vanita (Elisabeth) | Giuseppe Verdi, Lars Cleveman, Klas Hedlund, Hilde Leidland, Hillevi Martinpelto, Peter Mattei, Bengt Rundgren, Iwa Sorenson, Martti Wallèn, Jaakko Ryhänen, Ingrid Tobiasson, Royal Swedish Opera Chorus, Royal Swedish Opera Orchestra, Alberto Hold-Garrido | A Major | 2 | 11B | 115 BPM | ||
L'Africaine / Act 4: Mi batte il cor...O Paradiso | Giacomo Meyerbeer, Plácido Domingo, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino | F♯ Major | 4 | 2B | 90 BPM | ||
Rigoletto, Act III: Tutte le feste al tempio | Giuseppe Verdi, Renata Scotto, Gianandrea Gavazzeni, Orchestra del Maggio Musicale Fiorentino | F Minor | 1 | 4A | 75 BPM | ||
Cavalleria rusticana: Act I: Regina coeli, laetare - Alleluja! | Pietro Mascagni, Renata Scotto, Jean Kraft, James Levine | G Major | 2 | 9B | 84 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | C Major | 2 | 8B | 74 BPM | ||
Il Bacio | Luigi Arditi, Olga Peretyatko, Enrique Mazzola | D Major | 1 | 10B | 96 BPM | ||
Le Cid (1997 Digital Remaster): De cet affreux combat....Pleurez, mes yeux | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | B Minor | 1 | 10A | 83 BPM | ||
Massenet: Manon, Act 3 Tableau 1 Scene 4: "Obéissons, quand leur voix appelle … Profitons bien de la jeunesse" (Manon, Brétigny, Chorus) - Gavotte | Jules Massenet, Angela Gheorghiu, Antonio Pappano, Orchestra of the Théâtre Royal de La Monnaie, Brussels | G Major | 1 | 9B | 176 BPM | ||
Le Nozze di Figaro, K. 492: Atto terzo. Scene 9 & 10. N.21 Duettino Susanna, La Contessa "Su l'aria..." | Wolfgang Amadeus Mozart, Concerto Köln, Patrizia Ciofi, René Jacobs, Véronique Gens | B♭ Major | 1 | 6B | 83 BPM |
Section: 1.0803897380828857
End: 1.0908536911010742