Johann Sebastian Bach, Kenneth Gilbert made "Toccata In F Sharp Minor, BWV 910: 4. Without Tempo Indication" available on June 17, 2022. The duration of Toccata In F Sharp Minor, BWV 910: 4. Without Tempo Indication is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Toccata In F Sharp Minor, BWV 910: 4. Without Tempo Indication's duration is considered a little bit shorter than the average duration of a typical track. The song is number 302 out of 350 in Bach: Classical Road Trip by Johann Sebastian Bach, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Toccata In F Sharp Minor, BWV 910: 4. Without Tempo Indication is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Toccata In F Sharp Minor, BWV 910: 4. Without Tempo Indication by Johann Sebastian Bach, Kenneth Gilbert is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto for 4 Keyboards in A Minor, BWV 1065 (arr. of Vivaldi's, Concerto for 4 Violins in B Minor, Op. 3, No. 10, RV 580): I. — | Johann Sebastian Bach, Robert Levin, Mario Videla, Michael Behringer, Boris Kleiner, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 0 | 8B | 108 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Bach, JS: Concerto for Three Pianos in D Minor, BWV 1063: III. Allegro | Johann Sebastian Bach, Jean-Pierre Wallez, Bruno Rigutto, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de Paris | C Major | 2 | 8B | 83 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
Kleine Präludien: No.3 in D Minor, BWV 926 | Inge Rosar | D Minor | 1 | 7A | 83 BPM | ||
Vivaldi - Concerto in D Major "Grosso Mogul" RV 208: II Recitativo: Grave | Antonio Vivaldi, Viktoria Mullova, Il Giardino Armonico, Giovanni Antonini | B♭ Major | 0 | 6B | 76 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 | Daniel Barenboim | D Minor | 1 | 7A | 129 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 2. Largo | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM |
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