"Lincolnshire Posy: V. Lord Melbourne" by Percy Grainger, United States Air Force Band, Lowell Graham was released on January 1, 2006. The duration of Lincolnshire Posy: V. Lord Melbourne is about 3 minutes long, at 3:26. Based on our data, "Lincolnshire Posy: V. Lord Melbourne" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in United States Air Force Band, Lowell Graham's "Grainger: Duke of Marlborough Fanfare (The) / Lincolnshire Posy / Roussel: A Glorious Day" album is number 6 out of 19. Lincolnshire Posy: V. Lord Melbourne is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lincolnshire Posy: V. Lord Melbourne by Percy Grainger, United States Air Force Band, Lowell Graham to be Grave (very slow) because the track has a tempo of 44 BPM, a half-time of 22BPM, and a double-time of 88 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
1st Movement: Adaggio / Allegro Molto | London Philharmonic Orchestra | E Minor | 1 | 9A | 116 BPM | ||
Morceau de concert, Op. 94: I. Allegro moderato | Camille Saint-Saëns, Czech Philharmonic Orchestra, Václav Neumann, Zdeněk Tylšar | F Minor | 1 | 4A | 121 BPM | ||
Samson et Dalila, Op. 47, R. 288: Bacchanale | Camille Saint-Saëns, Lorin Maazel, Pittsburgh Symphony Orchestra | A Minor | 1 | 8A | 122 BPM | ||
English Folk Song Suite: I. March (Seventeen Come Sunday) | Ralph Vaughan Williams, North Texas Wind Symphony, Eugene Migliaro | F Minor | 3 | 4A | 120 BPM | ||
Southern Harmony: I. The Midnight Cry | Donald Grantham, Ohio State University Wind Symphony, Russel C. Mikkelson | A♭ Major | 2 | 4B | 129 BPM | ||
March in D Major (Attrib. J.S. Bach, BWV Anh. 122) [Arr. P. Grainger for Saxophone Ensemble] | Carl Philipp Emanuel Bach, Percy Grainger, J. Michael Holmes, Phil Pierick, Adam Hawthorne, Joyce Griggs, Drew Whiting, Jesse Dochnahl, Ben Kenis | B♭ Minor | 2 | 3A | 118 BPM | ||
Windsprints | Richard Saucedo, Midwest Wind Ensemble | F Major | 4 | 7B | 179 BPM | ||
Country Gardens, BFMS 22 (Version for Wind Ensemble) | Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset | E♭ Major | 1 | 5B | 174 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Cat | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 211 BPM | ||
Shepherd's Hey! (Arr. for Clarinet Quartet by Erin Miesner) | Percy Grainger, Lake Effect Clarinet Quartet | F Minor | 1 | 4A | 128 BPM |
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