- BPM
- 64
- Key
- F Minor
- Camelot
- 4A
Pacini: Saffo: Ah! Con lui mi fu rapita - Climene, Dirce, Chorus - Act Two - Giovanni Pacini, Franca Mattiucci, Vittoria Maniachi, Teatro San Carlo Orchestra & Chorus Information
- Acousticness
- 99%
- Danceability
- 8%
- Energy
- 12%
- Instrumentalness
- 86%
- Liveness
- 11%
- Loudness
- 64%
- Speechiness
- 4%
- Valence
- 5%
- Popularity
- 0%
- Loudness
- -21.407 dB
Summary
"Pacini: Saffo: Ah! Con lui mi fu rapita - Climene, Dirce, Chorus - Act Two" by Giovanni Pacini, Franca Mattiucci, Vittoria Maniachi, Teatro San Carlo Orchestra & Chorus was released on April 11, 2006. With this song being about 5 minutes long, at 5:25, "Pacini: Saffo: Ah! Con lui mi fu rapita - Climene, Dirce, Chorus - Act Two" by Giovanni Pacini, Franca Mattiucci, Vittoria Maniachi, Teatro San Carlo Orchestra & Chorus is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 22 in the song's album "Saffo". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Pacini: Saffo: Ah! Con lui mi fu rapita - Climene, Dirce, Chorus - Act Two is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Pacini: Saffo: Ah! Con lui mi fu rapita - Climene, Dirce, Chorus - Act Two BPM
With Pacini: Saffo: Ah! Con lui mi fu rapita - Climene, Dirce, Chorus - Act Two by Giovanni Pacini, Franca Mattiucci, Vittoria Maniachi, Teatro San Carlo Orchestra & Chorus having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Pacini: Saffo: Ah! Con lui mi fu rapita - Climene, Dirce, Chorus - Act Two Key
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Madama Butterfly: Tu, tu, piccolo iddio | Giacomo Puccini, Leontyne Price, Oliviero de Fabritiis, Orchestra Del Teatro Dell'Opera Di Roma, Wiener Philharmoniker | B Minor | 3 | 10A | 97 BPM | |
 | Tosca: Act I: Non la sospiri la nostra casetta (Tosca, Cavaradossi) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | |
 | Don Pasquale / Act 1: "Bella siccome un angelo" | Gaetano Donizetti, Bryn Terfel, Metropolitan Opera Orchestra, James Levine | E Major | 2 | 12B | 107 BPM | |
 | L'Ultimo giorno di Pompei: Act I Scene 2: Alfin goder mi e dato (Ottavia, Sallustio, Menenio, Pubblio, Chorus, Appio) | Giovanni Pacini, Raul Gimenez, Iano Tamar, Nicolas Rivenq, Gregory Bonfatti, Sonia Lee, Riccardo Novaro, Svetlana Sidorova, Emil Alekperov, Bratislava Chamber Choir, Catania Teatro Massimo Bellini Orchestra, Giuliano Carella | B♭ Major | 1 | 6B | 106 BPM | |
 | Cessato il suon dell'Armi (1887) | Giacomo Puccini, Joseph Calleja, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | A Major | 5 | 11B | 113 BPM | |
 | Rossini: Il barbiere di Siviglia, Act 1: "Una voce poco fa" (Rosina) | Gioachino Rossini, Elsa Dreisig, Michael Schønwandt, Orchestre national de Montpellier Occitanie | F♯ Major | 1 | 2B | 81 BPM | |
 | Medea, Act III, Scene 8: Morte all'infame (Coro, Giasone, Medea) | Giovanni Pacini, Orchestra Sinfonica di Savona, Coro Schola Cantorum S. Gregorio Magno Trecate, Richard Bonynge, Sergio Foresti, Jolanta Omilian | B♭ Major | 5 | 6B | 113 BPM | |
| L'Ultimo giorno di Pompei: Act I Scene 2: Basti ad esprimerti (Ottavia) | Giovanni Pacini, Raul Gimenez, Iano Tamar, Nicolas Rivenq, Gregory Bonfatti, Sonia Lee, Riccardo Novaro, Svetlana Sidorova, Emil Alekperov, Bratislava Chamber Choir, Catania Teatro Massimo Bellini Orchestra, Giuliano Carella | G Major | 2 | 9B | 136 BPM | |
 | Lucia di Lammermoor / Act 3: "Spargi d'amore pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 1 | 8B | 126 BPM | |
 | L'elisir d'amore / Act II: "Prendi; per me sei libero" | Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | F Major | 1 | 7B | 50 BPM |
- ISRC
- US89R0695953
- Label
- L-M Records/RCA Records
Section: 0.7374677658081055
End: 0.7427411079406738