"Cutscene - You May Call Me "Infinite"" by London Symphony Orchestra was released on December 13, 2017. The duration of Cutscene - You May Call Me "Infinite" is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Cutscene - You May Call Me "Infinite"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 87 in the song's album "Sonic Forces Original Soundtrack A Hero Will Rise". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Japan. Based on our statistics, Cutscene - You May Call Me "Infinite"'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Cutscene - You May Call Me "Infinite" by London Symphony Orchestra having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Blue Danube Waltz | London Symphony Orchestra | D Major | 1 | 10B | 180 BPM | ||
Maul and Savage Duel Palpatine | Kevin Kiner, David G. Russell | F Minor | 4 | 4A | 80 BPM | ||
Hoppers! | Grant Kirkhope | F Major | 3 | 7B | 145 BPM | ||
STH2 Aquatic Ruin Zone 〜 Mega Drive version 〜 | Masato Nakamura | D Minor | 7 | 7A | 131 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Naval Blockade | Namco Sounds | D♭ Major | 5 | 3B | 75 BPM | ||
Sweet Mountain - Act1 | Kenichi Tokoi | F Major | 7 | 7B | 146 BPM | ||
The Mandalorian | Ludwig Göransson | F Minor | 4 | 4A | 166 BPM | ||
Carnival of the Animals: XIV. Finale | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | C Major | 3 | 8B | 94 BPM | ||
Protector Of The Galaxy | Sam Dillard | E Minor | 4 | 9A | 110 BPM |
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