"String Quartet No. 14 in C-Sharp Minor, Op. 131: 7. Allegro" by Ludwig van Beethoven, Takács Quartet was released on January 1, 2004. Since String Quartet No. 14 in C-Sharp Minor, Op. 131: 7. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 11 out of 31 in Beethoven: String Quartets Vol.3 by Ludwig van Beethoven, Takács Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, String Quartet No. 14 in C-Sharp Minor, Op. 131: 7. Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of String Quartet No. 14 in C-Sharp Minor, Op. 131: 7. Allegro by Ludwig van Beethoven, Takács Quartet is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 76 BPM | ||
String Quartet No. 1 in B Minor, Op. 50: I. Allegro | Sergei Prokofiev, Pavel Haas Quartet | C Minor | 1 | 5A | 70 BPM | ||
Lyric Pieces Book IX, Op. 68: No. 2 Grandmother's Minuet | Edvard Grieg, Emil Gilels | G Major | 0 | 9B | 99 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Concerto for Violin & Viola with Orchestra in E Minor, Op. 88: I. Andante con moto | Max Bruch, Yuri Bashmet, Neeme Järvi | E Minor | 1 | 9A | 90 BPM | ||
Serenade for String Orchestra in C Major, Op. 48, TH. 48: III. Elégie: Larghetto elegiaco | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
Nocturne No. 8 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 64 BPM | ||
Violin Sonata No. 5 in F Major, Op. 24 "Spring": 4. Rondo (Allegro ma non troppo) | Ludwig van Beethoven, Itzhak Perlman, Vladimir Ashkenazy | F Major | 2 | 7B | 151 BPM | ||
Variations On A Rococo Theme, Op.33, TH.57: Variazione III: Andante sostenuto | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 103 BPM | ||
Nocturne No. 9 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 56 BPM |
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