"Pelléas et Mélisande: XI. Duel. Épée de jalousie" by Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov was released on February 11, 2022. The duration of Pelléas et Mélisande: XI. Duel. Épée de jalousie is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Pelléas et Mélisande: XI. Duel. Épée de jalousie's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Pelléas et Mélisande (Suite for String Orchestra)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Italy. Pelléas et Mélisande: XI. Duel. Épée de jalousie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pelléas et Mélisande: XI. Duel. Épée de jalousie by Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Masquerade Suite: Nocturne | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Major | 1 | 11B | 105 BPM | ||
Remembrance | Archibald Joyce, Nikolai Nazarov, Отдельный показательный оркестр Министерства обороны СССР | F Minor | 2 | 4A | 111 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Lobgesang": Ib. Allegretto un poco agitato | Felix Mendelssohn, NDR Radiophilharmonie, Andrew Manze | G Minor | 0 | 6A | 109 BPM | ||
Suite for String Orchestra, JW VI/2: V. Adagio | Leoš Janáček, Iona Brown, Norwegian Chamber Orchestra | G Minor | 1 | 6A | 117 BPM | ||
Chamber Concerto in D Minor, RV 96: I. Allegro | Antonio Vivaldi, Béla Drahos, Nicolaus Esterhazy Sinfonia | A♭ Major | 1 | 4B | 151 BPM | ||
Violin Concerto in D Major, Op. 3 No. 12 "Il labirinto armonico": I. Allegro - Capriccio | Pietro Locatelli, Chloe Chua, Singapore Symphony Orchestra, Chan Yoong Han | D Major | 2 | 10B | 129 BPM | ||
Liebesleid | Fritz Kreisler, Joshua Bell, Paul Coker | A Major | 1 | 11B | 74 BPM | ||
Grieg: Holberg Suite, Op. 40: I. Praeludium | Edvard Grieg, Paul Tortelier, Royal Northern Sinfonia | E♭ Minor | 1 | 2A | 110 BPM | ||
Scheherazade: The Festival at Bagdad | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Minor | 2 | 9A | 94 BPM | ||
Carmen, fantasie brillante, Op. 3, No. 3: Andante moderato | Jenő Hubay, Benjamin Schmid, Lisa Smirnova | B Minor | 2 | 10A | 122 BPM |
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