- BPM
- 131
- Key
- E Minor
- Camelot
- 9A
Lamentationes Jeremiae: Lamed - Thomas Crecquillon, New York Polyphony Information
- Acousticness
- 99%
- Danceability
- 17%
- Energy
- 16%
- Instrumentalness
- 33%
- Liveness
- 16%
- Loudness
- 67%
- Speechiness
- 3%
- Valence
- 4%
- Popularity
- 1%
- Loudness
- -20.078 dB
Summary
"Lamentationes Jeremiae: Lamed" by Thomas Crecquillon, New York Polyphony was released on March 6, 2012. The duration of Lamentationes Jeremiae: Lamed is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Lamentationes Jeremiae: Lamed's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 15 in endBeginning by New York Polyphony. Based on our statistics, Lamentationes Jeremiae: Lamed's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Lamentationes Jeremiae: Lamed BPM
The tempo marking of Lamentationes Jeremiae: Lamed by Thomas Crecquillon, New York Polyphony is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Lamentationes Jeremiae: Lamed Key
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Dances: Ecce quam bonum | Anthony Holborne, Guildhall Waits, Trevor Jones, Consort Of Musicke, Anthony Rooley | C Minor | 0 | 5A | 114 BPM | |
 | Vespro della Beata Vergine, SV 206: X. Psalm "Lauda Jerusalem" | Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale Gent | G Major | 0 | 9B | 100 BPM | |
 | Deus, qui beatum Marcum a 10, C. 36 | Giovanni Gabrieli, Gesualdo Consort Amsterdam, Oltremontano, Wim Becu | B Major | 1 | 1B | 87 BPM | |
 | Pavane de la tromba hollandica | Maurice of Hesse-Kassel, Capella De La Torre, Katharina Bauml | C Major | 1 | 8B | 74 BPM | |
 | M. Thomas Collier his Galiard | John Dowland, Jadran Duncumb, Accademia Strumentale Italiana, Alberto Rasi | G Minor | 1 | 6A | 101 BPM | |
 | O mors inevitabili | Jheronimus Vinders, Obsidienne Vocal Ensemble, Emmanuel Bonnardot | G Major | 2 | 9B | 91 BPM | |
 | Soipa kieli | Oskar Merikanto, Lauri Nurkkala, Ilmari Calamnius, Kamarikuoro Sofia Magdalena | F♯ Minor | 1 | 11A | 79 BPM | |
 | De tous biens plaine | Alexander Agricola, Currende Consort | D Major | 1 | 10B | 185 BPM | |
 | Che chos'è quest'amor | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 75 BPM | |
 | Qui ne regrettoit | Jean Mouton, The Gesualdo Six, Owain Park | G Minor | 1 | 6A | 91 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6042377948760986
End: 0.6112658977508545