Edvard Grieg, Edward Gardner, Bergen Philharmonic Orchestra, Johannes Weisser, Edward Gieg Kor, Bergen Philharmonic Choir's 'Peer Gynt Incidental Music, Op. 23: No. 17, Peer Gynt's Serenade. Scene 7' came out on January 1, 2018. The duration of Peer Gynt Incidental Music, Op. 23: No. 17, Peer Gynt's Serenade. Scene 7 is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Peer Gynt Incidental Music, Op. 23: No. 17, Peer Gynt's Serenade. Scene 7's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Edvard Grieg, Edward Gardner, Bergen Philharmonic Orchestra, Lise Davidsen, Ann-Helen Moen, Victoria Nava, Johannes Weisser, Jean-Efflam Bavouzet's "Grieg: Piano Concerto & Incidental Music to "Peer Gynt"" album is number 12 out of 20. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Peer Gynt Incidental Music, Op. 23: No. 17, Peer Gynt's Serenade. Scene 7 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Peer Gynt Incidental Music, Op. 23: No. 17, Peer Gynt's Serenade. Scene 7 by Edvard Grieg, Edward Gardner, Bergen Philharmonic Orchestra, Johannes Weisser, Edward Gieg Kor, Bergen Philharmonic Choir to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Concerto en ré mineur, BWV 974: II. Adagio | Johann Sebastian Bach, Alexandre Tharaud | D Minor | 2 | 7A | 85 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | F♯ Major | 0 | 2B | 88 BPM | ||
Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero | Felix Mendelssohn, Leif Ove Andsnes | F♯ Minor | 1 | 11A | 182 BPM | ||
Tsar Saltan, Op. 57: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, André Previn, London Symphony Orchestra | A Minor | 1 | 8A | 83 BPM | ||
The Lark | Evgeny Kissin | C Minor | 0 | 5A | 69 BPM | ||
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM |
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