"You Are My Melody" by Alexandra Pakhmutova, Dmitri Hvorostovsky, Constantine Orbelian, Moscow Chamber Orchestra was released on October 1, 2005. With this song being about 5 minutes long, at 4:57, "You Are My Melody" by Alexandra Pakhmutova, Dmitri Hvorostovsky, Constantine Orbelian, Moscow Chamber Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Dmitri Hvorostovsky's "Moscow Nights" album is number 9 out of 17. On top of that, United States appears to be the country where this track was created. You Are My Melody is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of You Are My Melody by Alexandra Pakhmutova, Dmitri Hvorostovsky, Constantine Orbelian, Moscow Chamber Orchestra to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les chemins de l'amour, FP 106 | Francis Poulenc, Jessye Norman, Dalton Baldwin | D♭ Major | 1 | 3B | 77 BPM | ||
Magyar gyermek- és népdalok: No. 1, Szomorú fűzfának harminchárom ága | Leó Weiner, Budapest Symphony Orchestra MAV, Valeria Csanyi | A♭ Major | 0 | 4B | 61 BPM | ||
Verdi: La forza del destino: Overture to Act 1 | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti | F Minor | 1 | 4A | 88 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Cristian Mandeal, George Enescu Philharmonic Orchestra, Bucharest | G Minor | 2 | 6A | 73 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance III | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 74 BPM | ||
The Roads | A. Novikov, Dmitri Hvorostovsky, Constantine Orbelian, Moscow Chamber Orchestra | D Minor | 2 | 7A | 85 BPM | ||
Egyptischer Marsch, Op. 335 | Johann Strauss II, Anima Eterna, Jos Van Immerseel | E Minor | 2 | 9A | 182 BPM | ||
Ivan Susanin: Waltz | Mikhail Glinka, USSR Symphony Orchestra, Yevgeny Svetlanov | A Major | 0 | 11B | 185 BPM |
Section: 0.7079155445098877
End: 0.7121415138244629