Jacques Duphly, Alexandra Lescure made "Pièces de clavecin , Livre 1, Suite I: No. 3, La Vanlo" available on May 3, 2024. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Duphly: Pièces de clavecin , Livre 1, Suite I: No. 3, La Vanlo and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Pièces de clavecin , Livre 1, Suite I: No. 3, La Vanlo's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Pièces de clavecin , Livre 1, Suite I: No. 3, La Vanlo by Jacques Duphly, Alexandra Lescure is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Marais: Pièces de viole, Livre IV, Suite d'un goût étranger: La Rêveuse | Marin Marais, Jean Rondeau, Myriam Rignol | E Minor | 0 | 9A | 47 BPM | ||
Fantasie c-Moll BWV 919 | Inge Rosar, Johann Sebastian Bach | A♭ Major | 1 | 4B | 132 BPM | ||
Courante La Boucon | Jacques Duphly, Elisabeth Joyé | B♭ Minor | 3 | 3A | 136 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Status Quo | Jacob Yoffee, Oakwood Quartet | A Minor | 1 | 8A | 104 BPM | ||
Recorder Concerto No. 9 in A Minor: I. Allegro | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | D Minor | 2 | 7A | 108 BPM | ||
25 Preludes dans tous les tons majeurs et mineurs, Op. 31: No. 12 Le temps qui n'est plus: Andante | Charles-Valentin Alkan, Laurent Martin | B♭ Minor | 0 | 3A | 76 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Assaggio per violino solo in C Minor, BeRI 310: III. | Johan Helmich Roman, Fabio Biondi | E♭ Major | 0 | 5B | 167 BPM | ||
Concerto Armonico No. 1 in G Major: Un poco andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E♭ Minor | 1 | 2A | 103 BPM |
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