"Suite populaire espagnole (Arr. for Cello & Piano): II. Nana" by Manuel de Falla, Duo Arnicans was released on May 4, 2018. The duration of Suite populaire espagnole (Arr. for Cello & Piano): II. Nana is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Suite populaire espagnole (Arr. for Cello & Piano): II. Nana's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 24 in Enchanted by Duo Arnicans. In terms of popularity, Suite populaire espagnole (Arr. for Cello & Piano): II. Nana is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite populaire espagnole (Arr. for Cello & Piano): II. Nana by Manuel de Falla, Duo Arnicans is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Trio in A Minor, Op. 50, TH 117: Tema con variazioni, Variation IX: Andante flebile, ma non tanto | Pyotr Ilyich Tchaikovsky, Geneva Piano Trio | D♭ Minor | 0 | 12A | 99 BPM | ||
Fantasiestücke, Op. 73, Mvt. 3 | Robert Schumann, Liv Glaser, Ernst Simon Glaser | A Minor | 2 | 8A | 113 BPM | ||
Cello Concerto: I. Inizio | Kirmo Lintinen, Trey Lee, English Chamber Orchestra, Emilia Hoving | G Major | 2 | 9B | 85 BPM | ||
天鹅 - 大提琴曲 | 马新桦, 冯丹 | G Major | 0 | 9B | 90 BPM | ||
Love Gone with Autumn Behind | Choonsuk Park, Werner Thomas-Mifune, Carmen Piazzini | E Minor | 0 | 9A | 98 BPM | ||
Lieder Ohne Worte, Sechtes Heft, Op. 67 (Arr. for Violin and Piano by Ferdinand David): I. Andante | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | G Major | 1 | 9B | 79 BPM | ||
Falla: Suite No. 1 from El sombrero de tres picos: II. Danza de la molinera | Manuel de Falla, Riccardo Muti, Philadelphia Orchestra | D Major | 3 | 10B | 124 BPM | ||
Aubade, FP 51a: V. Sortie de Diane | Francis Poulenc, Ronald Corp, New London Orchestra, Julian Evans | A Major | 1 | 11B | 69 BPM | ||
Scherzo (1954) | Jānis Ķepītis, Duo Arnicans | F Major | 2 | 7B | 132 BPM | ||
Romantic Pieces, Op.75, Allegro appassionato | アントニーン・ドヴォルザーク, KIM NAYOUNG | B♭ Major | 2 | 6B | 138 BPM |
Section: 0.7738113403320312
End: 0.7777159214019775