Luigi Legnani, Lucio Matarazzo's '36 Caprices, Op. 20: No. 7, Prestissimo' came out on January 1, 1996. With 36 Caprices, Op. 20: No. 7, Prestissimo being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Luigi Legnani, Lucio Matarazzo's "Legnani: 36 Caprices" album is number 7 out of 36. On top of that, Italy appears to be the country where this track was created. 36 Caprices, Op. 20: No. 7, Prestissimo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 36 Caprices, Op. 20: No. 7, Prestissimo by Luigi Legnani, Lucio Matarazzo to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Etudes: Leccion No. 15 | Norbert Kraft | G Major | 0 | 9B | 114 BPM | ||
Angostura | Antonio Lauro, Adam Holzman | G Major | 2 | 9B | 97 BPM | ||
Aires de Vidalita | Abel Carlevaro | D Minor | 1 | 7A | 113 BPM | ||
Rafaga | Joaquín Turina, Sebastien Llinares | A Major | 3 | 11B | 104 BPM | ||
Suite espanola No. 1, Op. 47 (arr. J. Vieaux): I. Granada (Serenata) | Jason Vieaux, Isaac Albéniz | E Major | 1 | 12B | 125 BPM | ||
Two Barcarolles, Op.60: 1. Lent, calme, dans une quietude expressive | Francis Kleynjans, Kaori Muraji | E Minor | 1 | 9A | 83 BPM | ||
Elegia por la muerte de un tanguero (Elegy for the Death of a Tango Player): III. Epilogo | Maximo Diego Pujol, Ricardo Cobo | E Minor | 1 | 9A | 137 BPM | ||
4 Piano Pieces: No. 2. Fandango del ventorrillo (arr. P. Romero) | Jérémy Jouve | F Minor | 1 | 4A | 120 BPM | ||
Variations on a Theme of Sor, Op. 15: Var. X - Toda esta variacion con la mano izquierda sola | Miguel Llobet Solés, Lorenzo Micheli | E Minor | 2 | 9A | 150 BPM | ||
Zapateado | Joaquín Rodrigo, Simon Dinnigan | B Minor | 2 | 10A | 102 BPM |
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