"Elegia por la muerte de un tanguero (Elegy for the Death of a Tango Player): III. Epilogo" by Maximo Diego Pujol, Ricardo Cobo was released on November 29, 2003. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ricardo Cobo's "Latin American Guitar Music" album is number 14 out of 16. Based on our statistics, Elegia por la muerte de un tanguero (Elegy for the Death of a Tango Player): III. Epilogo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Elegia por la muerte de un tanguero (Elegy for the Death of a Tango Player): III. Epilogo by Maximo Diego Pujol, Ricardo Cobo to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 4 in E Major | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | E Major | 1 | 12B | 88 BPM | ||
Suite Compostelana: VI. Muneira | Federico Mompou, Antigoni Goni | B Minor | 1 | 10A | 159 BPM | ||
Histoire du Tango (History of the Tango): Cafe 1930 | Astor Piazzolla, Alexandra Hawley, Ricardo Cobo | E Major | 2 | 12B | 83 BPM | ||
Sonatina canonica, Op. 196: I. Mosso, grazioso e leggero | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | D Minor | 2 | 7A | 111 BPM | ||
Fantasia Sobre "El Paño" O Sea "El Punto De La Habana" | María Esther Guzmán | E Minor | 1 | 9A | 75 BPM | ||
Muerte del angel - Tango (arr. R. Cobo): La muerte del angel - Tango (arr. R. Cobo) | Ricardo Cobo, Astor Piazzolla | A Minor | 1 | 8A | 89 BPM | ||
Cinco piezas: Pieza soleada | María Isabel Siewers, Maximo Diego Pujol | C Major | 2 | 8B | 111 BPM | ||
7 Cordas (7 Strings): Sete Cordas (Seven Strings) | Rafael Rabello, Graham Anthony Devine | E Major | 0 | 12B | 96 BPM | ||
Guitar Sonata No. 6 in F Major: Minuet - Allegretto | Niccolò Paganini, Marco Tamayo | E Minor | 2 | 9A | 69 BPM | ||
Romance Dt Durandarte | Alexander-Sergei Ramírez | A Major | 0 | 11B | 63 BPM |
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