"Glassworks - Arr. for piano and cello by Bruno Fontaine: 1. Opening" by Philip Glass, Henri Demarquette, Vanessa Benelli Mosell was released on December 15, 2017. Glassworks - Arr. for piano and cello by Bruno Fontaine: 1. Opening is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. Because this song is the only song in Glass, Glassworks - Arr. for piano and cello: 1. Opening and no other songs are present in the album, we classify this track as a single. On top of that, France appears to be the country where this track was created. The popularity of Glassworks - Arr. for piano and cello by Bruno Fontaine: 1. Opening is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Glassworks - Arr. for piano and cello by Bruno Fontaine: 1. Opening by Philip Glass, Henri Demarquette, Vanessa Benelli Mosell to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dolly, Op. 56 (version for piano 4 hands): I. Berceuse | Gabriel Fauré, Eric Le Sage, Alexandre Tharaud | E Major | 0 | 12B | 73 BPM | ||
Concerto pour harpe en ut majeur: III. Rondeau. Allegro agitato | François-Adrien Boieldieu, Anaïs Gaudemard, Leo Hussain, Orchestre de l'Opéra de Rouen Normandie | C Minor | 2 | 5A | 97 BPM | ||
Les tendres plaintes | Jean-Philippe Rameau, Víkingur Ólafsson | D Minor | 0 | 7A | 110 BPM | ||
Dream 13 - Short Edit | Max Richter, Clarice Jensen, Ben Russell, Yuki Numata Resnick | F♯ Major | 0 | 2B | 69 BPM | ||
Sisask : Starry Sky Cycle Op.52 - Pleiades : 17. II Maja | Urmas Sisask, Lauri Väinmaa | F Major | 0 | 7B | 69 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
Winter Meditation (after The Four Seasons, Violin Concerto, RV 297: II. Largo) | Antonio Vivaldi, Eldbjørg Hemsing, Hestia String Quartet | E♭ Major | 3 | 5B | 174 BPM | ||
Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Emil Jonason, Stefan Solyom, Helsingborg Symphony Orchestra | D Major | 0 | 10B | 85 BPM | ||
Schubert: Schwanengesang, D. 957: No. 4 Ständchen | Franz Schubert, Anneleen Lenaerts, Dionysis Grammenos | C Minor | 0 | 5A | 131 BPM | ||
Timelapse | Uno Helmersson, Mari Samuelsen, Jesper Söderqvist, Gunnar Flagstad, TrondheimSolistene | G Minor | 2 | 6A | 105 BPM |
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