"Sweelinck Variations, Op. 56 "Mein junges Leben hat ein End'": Variation 7. Andante con moto" by Karl Höller, Bavarian Radio Symphony Orchestra, Eugen Jochum was released on January 1, 2005. The duration of Sweelinck Variations, Op. 56 "Mein junges Leben hat ein End'": Variation 7. Andante con moto is about 3 minutes long, at 3:21. Based on our data, "Sweelinck Variations, Op. 56 "Mein junges Leben hat ein End'": Variation 7. Andante con moto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Karl Höller, Eugen Jochum's "Höller: Symphonic Fantasy; Sweelinck Variations" album is number 12 out of 16. Sweelinck Variations, Op. 56 "Mein junges Leben hat ein End'": Variation 7. Andante con moto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sweelinck Variations, Op. 56 "Mein junges Leben hat ein End'": Variation 7. Andante con moto by Karl Höller, Bavarian Radio Symphony Orchestra, Eugen Jochum to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chorale Variations "Helft mir Gottes Güte preisen," Op. 22, No. 1 | Karl Höller, Jeremy Thompson | E Minor | 0 | 9A | 71 BPM | ||
Fantasia for Cello & Orchestra, W454: II. Molto vivace | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | G Minor | 1 | 6A | 105 BPM | ||
25 Études faciles et progressives, Op. 100: No. 9, La chasse | Friedrich Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 78 BPM | ||
Grieg: Old Norwegian Romance with Variations, Op. 51: IX. Andante (Orchestral Version) | Edvard Grieg, Paavo Berglund, Bournemouth Symphony Orchestra | E♭ Minor | 1 | 2A | 110 BPM | ||
Pictures at an Exhibition: The Market-place at Limoges | The Royal Wind Music | E Major | 1 | 12B | 115 BPM | ||
Gli uccelli, P. 154: V. Il cucù | Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling | A Major | 0 | 11B | 80 BPM | ||
Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variations III & IV | Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra | D Major | 2 | 10B | 108 BPM | ||
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: I. Ouvertüre | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker | A Major | 1 | 11B | 70 BPM | ||
Throne Room & Finale - From “Star Wars: A New Hope” / Live at Suntory Hall, Tokyo / 2023 | John Williams, Saito Kinen Orchestra | G Minor | 3 | 6A | 102 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante (1) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM |
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