Franz Schubert, Carol Wyatt, Vienna Radio Symphony Orchestra, Theodor Guschlbauer's 'Die Freunde von Salamanka, D. 326, Act II: No. 17, Aria. Traurig geht der Geliebte von dannen' came out on 1981. The duration of Die Freunde von Salamanka, D. 326, Act II: No. 17, Aria. Traurig geht der Geliebte von dannen is about 3 minutes long, at 3:06. Based on our data, "Die Freunde von Salamanka, D. 326, Act II: No. 17, Aria. Traurig geht der Geliebte von dannen" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "Schubert: Die Freunde von Salamanka, D. 326; Der Spiegelritter, D. 11". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Germany. Based on our statistics, Die Freunde von Salamanka, D. 326, Act II: No. 17, Aria. Traurig geht der Geliebte von dannen's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Die Freunde von Salamanka, D. 326, Act II: No. 17, Aria. Traurig geht der Geliebte von dannen by Franz Schubert, Carol Wyatt, Vienna Radio Symphony Orchestra, Theodor Guschlbauer having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
20 Waltzes, Op. 127, D.146: No. 6 in D Major | Franz Schubert, Pierre-Laurent Aimard | D Major | 1 | 10B | 128 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | ||
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | ||
Lied ohne Worte in F-Sharp Minor, Op. 67/2 | Felix Mendelssohn, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 75 BPM | ||
Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
12 Études, Op. 10: No. 3 in E Major | Frédéric Chopin, Jan Lisiecki | E Major | 1 | 12B | 71 BPM | ||
6 Moments musicaux, Op. 16: No. 3, Andante cantabile | Sergei Rachmaninoff, Boris Giltburg | B Minor | 0 | 10A | 103 BPM |
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