"Suite bergamasque: III. Clair de lune (arr. for flute and harp)" by Anonymous, Claude Debussy, Janos Balint, Deborah Sipkai was released on January 1, 1998. With this song being about 5 minutes long, at 4:43, "Suite bergamasque: III. Clair de lune (arr. for flute and harp)" by Anonymous, Claude Debussy, Janos Balint, Deborah Sipkai is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 17 out of 21 in Flute and Harp Arrangements - Tartini, G. / Bach, J.S. / Mozart, W.A. / Tchaikovsky, P.I. / Liszt, F. / Grieg, E. / Chopin, F. by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Suite bergamasque: III. Clair de lune (arr. for flute and harp)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite bergamasque: III. Clair de lune (arr. for flute and harp) by Anonymous, Claude Debussy, Janos Balint, Deborah Sipkai is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa cum iubilo - Sanctus | Nova Schola Gregoriana, Alberto Turco | E♭ Major | 1 | 5B | 132 BPM | ||
Office des laudes : Respons vidi angelum | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | F♯ Major | 0 | 2B | 128 BPM | ||
Agnus Dei | Probandi Benedittini Di San Giovanni In Parma | F Major | 1 | 7B | 76 BPM | ||
Pax in nomine domini! | Marcabru, Nigel Rogers, Early Music Consort Of London, David Munrow | E Minor | 1 | 9A | 170 BPM | ||
Viderunt omnes... (2-part organum) | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 1 | 3B | 141 BPM | ||
Tallis: Spem in Alium - 4. Respice (Repeat) | The Tallis Scholars, Peter Phillips | D Major | 3 | 10B | 89 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
La Messe: Alleluia "Assumpta est Maria" | Choeur des moines de l'abbaye Notre Dame de Fontgombault | E♭ Major | 1 | 5B | 130 BPM | ||
Holy Friday Aposticha - Optina Monastary Melody (Automelon) | Archangel Voices | D Major | 1 | 10B | 83 BPM | ||
The Noble Joseph - Bulgarian Chant | Archangel Voices | D Major | 1 | 10B | 139 BPM |
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