- BPM
- 104
- Key
- F Major
- Camelot
- 7B
Prélude à l'après-midi d'un faune, L. 86 - Pt. 6 - Claude Debussy, Lucien Lavailotte, L'Orchestre du Théâtre National de l'Opéra, Paris, Manuel Rosenthal Information
- Acousticness
- 96%
- Danceability
- 29%
- Energy
- 2%
- Instrumentalness
- 0%
- Liveness
- 9%
- Loudness
- 37%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -37.903 dB
Summary
"Prélude à l'après-midi d'un faune, L. 86 - Pt. 6" by Claude Debussy, Lucien Lavailotte, L'Orchestre du Théâtre National de l'Opéra, Paris, Manuel Rosenthal was released on June 17, 2022. With Prélude à l'après-midi d'un faune, L. 86 - Pt. 6 being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 217 in Debussy: Classical Road Trip by Claude Debussy, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Prélude à l'après-midi d'un faune, L. 86 - Pt. 6 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Prélude à l'après-midi d'un faune, L. 86 - Pt. 6 BPM
The tempo marking of Prélude à l'après-midi d'un faune, L. 86 - Pt. 6 by Claude Debussy, Lucien Lavailotte, L'Orchestre du Théâtre National de l'Opéra, Paris, Manuel Rosenthal is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
Prélude à l'après-midi d'un faune, L. 86 - Pt. 6 Key
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | |
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 | Sospiri, Op. 70 | Edward Elgar, English Chamber Orchestra, Osian Ellis, Paul Goodwin | F Major | 0 | 7B | 113 BPM | |
 | Prokofiev: 10 Pieces from Romeo & Juliet, Op. 75: VI. Montagues and Capulets | Sergei Prokofiev, Nikolai Lugansky | F Major | 0 | 7B | 90 BPM | |
 | Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | |
 | Préludes Book 1, L. 117: III. La Cathedrale Engloutie | Claude Debussy, Martin Jones | D Minor | 0 | 7A | 67 BPM | |
 | Dreaming, Op. 15 No. 3 | Amy Beach, Ambache | F Major | 0 | 7B | 75 BPM | |
 | Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | |
 | Waltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor) | Frédéric Chopin, Magdalena Hoffmann | A♭ Minor | 1 | 1A | 127 BPM |
- ISRC
- FRUM72200846
- Label
- L-M Records/RCA Records
Section: 0.6915709972381592
End: 0.6967470645904541