Wiener Philharmoniker, Riccardo Muti, Konzertvereinigung der Wiener Staatsopernchor, José van Dam, Kathleen Battle made "Così fan tutte, Act 2, Scene 4, No. 31 Finale:: Fate presto, o cara amici (Despina/Coro/Don Alfonso)" available on August 2, 2013. With Così fan tutte, Act 2, Scene 4, No. 31 Finale:: Fate presto, o cara amici (Despina/Coro/Don Alfonso) being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 7 out of 214. Così fan tutte, Act 2, Scene 4, No. 31 Finale:: Fate presto, o cara amici (Despina/Coro/Don Alfonso) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Così fan tutte, Act 2, Scene 4, No. 31 Finale:: Fate presto, o cara amici (Despina/Coro/Don Alfonso) by Wiener Philharmoniker, Riccardo Muti, Konzertvereinigung der Wiener Staatsopernchor, José van Dam, Kathleen Battle to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No.19 In E Minor, Op.72 No.1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 139 BPM | ||
Rigaudons I, II & Double | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 3 | 12B | 106 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Clarinet Concerto in A Major, K. 622: III. Rondo (Allegro) | Wolfgang Amadeus Mozart, Alfred Prinz, Wiener Philharmoniker, Karl Böhm | D Major | 1 | 10B | 140 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Sinfonia in D Major, "La Veneziana": III. Presto | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 109 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
Symphony No. 101 In D Major, Hob.I:101 - "The Clock": 2. Andante | Joseph Haydn, Chamber Orchestra of Europe, Claudio Abbado | D♭ Major | 0 | 3B | 74 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Waltz No. 7 in C-Sharp Minor, Op. 64 No. 2 | Frédéric Chopin, Alice Sara Ott | F Minor | 1 | 4A | 80 BPM |
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