Giovanni Maria Bononcini, London Baroque's 'Trio Sonata in A Major, Op. 6 No. 5' came out on November 6, 2012. With this song being about 5 minutes long, at 4:58, "Trio Sonata in A Major, Op. 6 No. 5" by Giovanni Maria Bononcini, London Baroque is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "The Trio Sonata in 17th-Century Italy". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Sweden. Trio Sonata in A Major, Op. 6 No. 5 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trio Sonata in A Major, Op. 6 No. 5 by Giovanni Maria Bononcini, London Baroque having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Baryton Trio in A Major, Hob. XI:71: II. Minuet - Trio | Joseph Haydn, Valencia Baryton Project | B Major | 2 | 1B | 94 BPM | ||
Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Violin Sonata in B-Flat Major, Op. 5 No. 2 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): II. Allegro | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | E Minor | 1 | 9A | 86 BPM | ||
Violin Sonata in B-Flat Major, T. So 34: IV. Sarabanda | Tomaso Albinoni, Davide Belosio, I Solisti Ambrosiani | A♭ Major | 0 | 4B | 120 BPM | ||
Sonata a tre No. 6 in G Minor, Op. 2: III. Grave | Nicola Francesco Haym, Arcangelo Corelli, Cappella Musicale Enrico Stuart, Romeo Ciuffa, Chiara Strabioli, Rebeca Ferri, Marco Vitale | F Major | 1 | 7B | 128 BPM | ||
Cello Sonata No. 1 in D Minor: I. Largo | Alessandro Scarlatti, Ophélie Gaillard, Pulcinella Orchestra | A Major | 4 | 11B | 123 BPM | ||
Minuet in G Major, BWV Anh. 114 – Minuet in G Minor, BWV Anh. 115 (Formerly Attrib. Bach) | Christian Petzold, Mahan Esfahani | B♭ Minor | 0 | 3A | 89 BPM | ||
Concerto for Strings in G Minor, RV 152: III. Allegro molto | Antonio Vivaldi, Arte dei Suonatori | D Major | 3 | 10B | 117 BPM | ||
Sonata a tre in sol minore: I. Allegro | Giovanni Maria Bononcini, Musica Antiqua Latina | F♯ Minor | 2 | 11A | 100 BPM | ||
Vitali: Donde avvien che tutt’ebro di vera gioia: Sinfonia | Giovanni Battista Vitali, Il Pomo D'oro | F Major | 2 | 7B | 103 BPM |
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