Alfred Cortot's 'Preludes Op. 28' came out on January 5, 2010. With Preludes Op. 28 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Alfred Cortot's "Greatest Piano Classics" album is number 7 out of 83. Preludes Op. 28 is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Preludes Op. 28 by Alfred Cortot to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatina in F Major, Op. 55 No. 4: II. Andantino con espressione | Friedrich Kuhlau, Christoph Eschenbach | B♭ Major | 0 | 6B | 99 BPM | ||
Appassionata (Second Movement) | Junior dos Santos Silva | B Major | 0 | 1B | 96 BPM | ||
ワルツ 変イ長調 作品38 | アレクサンドル・スクリャービン, Kanon Matsuda | A♭ Major | 1 | 4B | 64 BPM | ||
On an Overgrown Path, JW VIII/17, Book 1: No. 1, Our Evenings | Leoš Janáček, Lars Vogt | A♭ Minor | 0 | 1A | 89 BPM | ||
Suonata II in si bemolle maggiore : Allegretto (La canzona refrigerativa dell'arpa di Davide) | Lazar Berman | B♭ Major | 0 | 6B | 118 BPM | ||
L'art de Délier Les Doigts, Op. 740.: Passage en Accords | Carl Czerny, Jean-Frédéric Neuburger | F Minor | 1 | 4A | 117 BPM | ||
I. Capriccio | Gabriel Fauré, Lucas Debargue | C Major | 0 | 8B | 69 BPM | ||
Préludes, Book 1, L. 117: No. 7, Ce qu'a vu le vent d'ouest | Claude Debussy, Alfred Cortot | D♭ Minor | 2 | 12A | 100 BPM | ||
Le tombeau de Couperin, M. 68: IV. Rigaudon | Maurice Ravel, Steven Osborne | C Major | 0 | 8B | 73 BPM | ||
Lyric Pieces, Book VII, Op. 62: No. 1, Sylph | Edvard Grieg, Andrey Gugnin | F♯ Major | 0 | 2B | 65 BPM |
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