"Strathclyde Motets: Videns Dominus" by James MacMillan, Harry Christophers, The Sixteen was released on October 31, 2011. With this song being about 5 minutes long, at 5:08, "Strathclyde Motets: Videns Dominus" by James MacMillan, Harry Christophers, The Sixteen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in James MacMillan, The Sixteen, Harry Christophers's "James MacMillan: Miserere" album is number 7 out of 13. On top of that, United Kingdom appears to be the country where this track was created. Strathclyde Motets: Videns Dominus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Strathclyde Motets: Videns Dominus by James MacMillan, Harry Christophers, The Sixteen to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spaseniye sodelal yesi posrede zemli (Salvation is Created), Op. 25, No. 5 | Pavel Chesnokov, Dale Warland Singers, Dale Warland | D Major | 0 | 10B | 133 BPM | ||
Abide with me | William Henry Monk, Choir of St John's, Elora, Paul Halley | E♭ Major | 1 | 5B | 157 BPM | ||
Burial service: Thou knowest, Lord (Henry Purcell) | Henry Purcell, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | B♭ Minor | 1 | 3A | 69 BPM | ||
Mother of God, Here I Stand | John Tavener, Birmingham Conservatoire Chamber Choir, Paul Spicer | G Major | 0 | 9B | 129 BPM | ||
Son of God Mass: Amen | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | C Major | 2 | 8B | 88 BPM | ||
Tallis: Spem in Alium - 4. Respice (Repeat) | The Tallis Scholars, Peter Phillips | D Major | 3 | 10B | 89 BPM | ||
Missa ‘De Angelis’: II. Gloria | Claudio Dall'Albero, The Choir of Sidney Sussex College, Cambridge, David Skinner | E♭ Major | 1 | 5B | 99 BPM | ||
Drop, Drop Slow Tears | Chorus Angelicus | G Major | 0 | 9B | 80 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
Sancta Mater | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Thomas Berg-Juul | F Major | 0 | 7B | 98 BPM |
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