"Shanghai Reminiscences, Pt. I, My Childhood: Part I: My Childhood: VI. Pedlar's Tune II (Water Melon)" by Gan-Ru Ge, Royal Scottish National Orchestra, Tsung Yeh was released on January 6, 2015. With Shanghai Reminiscences, Pt. I, My Childhood: Part I: My Childhood: VI. Pedlar's Tune II (Water Melon) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Gan-Ru Ge, Royal Scottish National Orchestra, Tsung Yeh's "Ge Gan-Ru: Shanghai Reminiscences & Butterfly Overture" album is number 6 out of 16. On top of that, Hong Kong appears to be the country where this track was created. Shanghai Reminiscences, Pt. I, My Childhood: Part I: My Childhood: VI. Pedlar's Tune II (Water Melon) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Shanghai Reminiscences, Pt. I, My Childhood: Part I: My Childhood: VI. Pedlar's Tune II (Water Melon) by Gan-Ru Ge, Royal Scottish National Orchestra, Tsung Yeh to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 2 in D Minor, Op. 61: II. Andantino sostenuto | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | A♭ Major | 4 | 4B | 103 BPM | ||
Jess Danger | Bev Saunders | E♭ Minor | 0 | 2A | 75 BPM | ||
Natko Devčić: Istrian Suite: II. Leaping Dance | Natko Devcic, Muenchner Rundfunkorchester, Ivan Repušić, Munich Radio Orchestra | F Minor | 2 | 4A | 80 BPM | ||
Concerto gregoriano, P. 135: I. Andante tranquillo | Ottorino Respighi, Sir Edward Downes, BBC Philharmonic Orchestra, Lydia Mordkovitch | F Major | 0 | 7B | 130 BPM | ||
Sinfonietta: III. Allegro | Maya Badian, Brasov State Philharmonic Orchestra, Ilarion Ionescu-Galati | D♭ Major | 2 | 3B | 100 BPM | ||
12 Danzas espanolas (Spanish Dances), Op. 37 (arr. R. Ferrer): No. 2. Orientale | Rafael Ferrer, Enrique Granados, Barcelona Symphony and Catalonia National Orchestra, Salvador Brotons | C Minor | 0 | 5A | 81 BPM | ||
12 Preludes: No. 6, Moderato | Gan-Ru Ge, Yiming Zhang | A♭ Minor | 2 | 1A | 101 BPM | ||
Concerto Grosso: I. Allegro-Sonata | Maya Badian, Cristian Balea, Ilie Dornescu, Romanian National Orchestra, Ludovic Bacs | F Minor | 1 | 4A | 113 BPM | ||
The Mill on the Brook, Kinderleben Op.62 No.10 (Theodor Kullak) | The Gerst Ensemble | A Major | 0 | 11B | 77 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante (4) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM |
Section: 0.54799485206604
End: 0.5516045093536377