Vittorio Gnecchi, Andromeda's 'Virtù d'Amore: Waltz' came out on 2014. The duration of Virtù d'Amore: Waltz is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Virtù d'Amore: Waltz's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Vittorio Gnecchi, Various Artists, Paul Walter's "Gnecchi: Judith (Excerpts) [Live]" album is number 18 out of 19. On top of that, United States appears to be the country where this track was created. The popularity of Virtù d'Amore: Waltz is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Virtù d'Amore: Waltz by Vittorio Gnecchi, Andromeda to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (f) Etwas bewegter | Gustav Mahler, Otto Klemperer, Elisabeth Schwarzkopf, Hilde Rössel Majdan, The Philharmonia Chorus, Philharmonia Orchestra | A♭ Major | 0 | 4B | 124 BPM | ||
Puccini: Suor Angelica: "Sorella, o buona sorella" (Suor Genovieffa, Chorus, Suor Angelica) | Giacomo Puccini, London Voices, London Symphony Orchestra, Tiffin School Boys' Choir, Antonio Pappano, Terry Edwards, Anna Maria Panzarella, Francesca Pedaci, Elena Zilio, Sara Fulgoni, Dorothea Rschmann, Judith Rees, Rachele Stanisci, Felicity Palmer, Deborah, Cristina Gallardo-Domas, Philharmonia Orchestra | C Major | 1 | 8B | 97 BPM | ||
La Gioconda / Act 1: "Voce di donna o d'angelo" | Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E♭ Major | 1 | 5B | 78 BPM | ||
Carmina Burana / 1. Primo vere: "Ecce gratum" | Carl Orff, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus | D Minor | 2 | 7A | 135 BPM | ||
Mahler: Das Lied von der Erde: III. Von der Jugend | Gustav Mahler, Otto Klemperer, Fritz Wunderlich, Christa Ludwig, Philharmonia Orchestra, New Philharmonia Orchestra | B♭ Major | 2 | 6B | 72 BPM | ||
Stabat Mater: 4. Pro peccatis suae gentis | Gioachino Rossini, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini | C Major | 3 | 8B | 80 BPM | ||
Gianni Schicchi: "Povero Buoso!" | Giacomo Puccini, Eva Podles, Enrico Fissore, Roberto Alagna, Nicoletta Curiel, Orazio Mori, Giorgio Giorgetti, Riccardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | B♭ Minor | 1 | 3A | 66 BPM | ||
Hativkah | London Festival Orchestra, The London Festival Chorus, Stanley Black | E Minor | 2 | 9A | 80 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Im chambre séparée | Richard Heuberger, Anna Netrebko, Piotr Beczala | D Major | 1 | 10B | 171 BPM |
Section: 0.8734114170074463
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