Anders Miolin, Claude Debussy's '2 Arabesques (arr. A. Miolin): Arabesque No. 2' came out on March 1, 2000. With this song being about 5 minutes long, at 4:59, "2 Arabesques (arr. A. Miolin): Arabesque No. 2" by Anders Miolin, Claude Debussy is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 19 in Debussy: 2 Arabesques / Preludes (Selections) / Pour L'Egyptienne by Anders Miolin, Claude Debussy. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, 2 Arabesques (arr. A. Miolin): Arabesque No. 2 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 2 Arabesques (arr. A. Miolin): Arabesque No. 2 by Anders Miolin, Claude Debussy is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio in G Minor for Organ and Strings (Transcr. for two guitars by A. Lagoya) | Tomaso Albinoni, Remo Giazotto, Alexandre Lagoya, Ida Presti | D♭ Minor | 0 | 12A | 79 BPM | ||
Wind Color Vector: I. Leeward | Takashi Yoshimatsu, Craig Ogden | E Minor | 0 | 9A | 69 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Cancion de cuna | Leo Brouwer, Vicente Coves | G Major | 0 | 9B | 67 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Elegie: Elegy | Johann Kaspar Mertz, Gabriel Bianco | A Minor | 0 | 8A | 133 BPM | ||
La catedral | Agustín Barrios Mangoré, John Williams | B Minor | 1 | 10A | 116 BPM | ||
J.B. Accordingly | Laurie Altman, Anders Miolin | B♭ Minor | 2 | 3A | 136 BPM | ||
Deuxième arabesque | Héloïse de Jenlis | A Minor | 0 | 8A | 120 BPM | ||
Suite populaire brésilienne, W020: No. 1, Mazourka-choro | Manuel Barrueco | D Major | 1 | 10B | 114 BPM |
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