Robert Schumann, Martin Helmchen's 'Waldscenen, Op. 82: No. 3. Einsame Blumen (Solitary Flowers)' came out on November 6, 2012. The duration of Waldscenen, Op. 82: No. 3. Einsame Blumen (Solitary Flowers) is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Waldscenen, Op. 82: No. 3. Einsame Blumen (Solitary Flowers)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Schumann: Symphonische Etüden, Op. 13 - Waldszenen, Op. 82 - Arabeske, Op. 18". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Netherlands. Waldscenen, Op. 82: No. 3. Einsame Blumen (Solitary Flowers) is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Waldscenen, Op. 82: No. 3. Einsame Blumen (Solitary Flowers) by Robert Schumann, Martin Helmchen having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schumann: Minnespiel aus Friedrich Rückerts "Liebesfrühling", Op. 101: No. 4, Mein schöner Stern! (Langsam) | Friedrich Rückert, Robert Schumann, Nicolai Gedda | E♭ Major | 1 | 5B | 167 BPM | ||
Le tombeau de Couperin (version for orchestra): No. 3. Menuet | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | G Major | 0 | 9B | 86 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht | Bedřich Smetana, Jitka Čechová | A♭ Minor | 2 | 1A | 76 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | G Major | 1 | 9B | 99 BPM | ||
Liederkreis Op. 24: No. 7, Berg und Burgen schau'n herunter | Heinrich Heine, Robert Schumann, Ian Bostridge, Julius Drake | A Major | 0 | 11B | 112 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Adoration | Florence Beatrice Price, Randall Goosby, Zhu Wang | G Major | 1 | 9B | 79 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
3 Nouvelles etudes, Op. posth.: II. Etude No. 26 in A-Flat Major | Frédéric Chopin, Idil Biret | A♭ Major | 0 | 4B | 74 BPM |
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