On April 16, 2020, the song "Can Can from "Orpheus in the Underworld"" was released by Charles Gerhardt, London Philharmonic Orchestra. The duration of Can Can from "Orpheus in the Underworld" is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Can Can from "Orpheus in the Underworld"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 24 in Classical Operetta Playlist by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Can Can from "Orpheus in the Underworld" is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Can Can from "Orpheus in the Underworld" by Charles Gerhardt, London Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Boccerini: Minuet In D | Richard Hartley | A Major | 1 | 11B | 200 BPM | ||
Pomp & Circumstance, Marches #1,2,3, & 4 | Chicago Symphony Orchestra | G Major | 3 | 9B | 114 BPM | ||
Delibes: Coppélia ou la fille aux yeux d'émail , Act 1: No. 3, Mazurka (Ballet) | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | G Major | 3 | 9B | 74 BPM | ||
Theme from E.T. (The Extra-Terrestrial) | Ron Goodwin | A Minor | 0 | 8A | 79 BPM | ||
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Delibes: Coppélia, Act I: No. 1, Valse | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | E♭ Major | 1 | 5B | 143 BPM | ||
Casablanca - Suite | Max Steiner | E♭ Major | 2 | 5B | 83 BPM | ||
Gayane Suite No. 2: VI. Sabre Dance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | E♭ Major | 8 | 5B | 91 BPM |
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