Gioachino Rossini, Vasilisa Berzhanskaya, Ricardo Seguel, La Cetra Vokalensemble Basel, Alasdair Kent, Pablo Ruiz, Orchestra Of The 18th Century, Giancarlo Andretta made "L'italiana in Algeri: Atto Ii. Finale Ii. Quartetto: Non sei tu che il grado eletto" available on March 17, 2023. L'italiana in Algeri: Atto Ii. Finale Ii. Quartetto: Non sei tu che il grado eletto is about six minutes long, preciously at 6:02, making this song fairly long compared to other songs. The track order of this song in Gioachino Rossini, Vasilisa Berzhanskaya, Ricardo Seguel, Alasdair Kent, Giancarlo Andretta, Orchestra Of The 18th Century's "L'Italiana in Algeri" album is number 24 out of 44. On top of that, Spain appears to be the country where this track was created. L'italiana in Algeri: Atto Ii. Finale Ii. Quartetto: Non sei tu che il grado eletto is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of L'italiana in Algeri: Atto Ii. Finale Ii. Quartetto: Non sei tu che il grado eletto by Gioachino Rossini, Vasilisa Berzhanskaya, Ricardo Seguel, La Cetra Vokalensemble Basel, Alasdair Kent, Pablo Ruiz, Orchestra Of The 18th Century, Giancarlo Andretta to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Cenerentola / Act 2: "Son qui" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Gloria Banditelli, Fernanda Costa, Enzo Dara, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E♭ Major | 1 | 5B | 122 BPM | ||
Carmina Burana / Fortuna Imperatrix Mundi: "Fortune plango vulnera" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 2 | 6B | 132 BPM | ||
Jazz Suite No. 2: VIII. Finale | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 141 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Ah, che bella vita!" (Figaro, Conte) | Gioachino Rossini, Alceo Galliera, Luigi Alva, Tito Gobbi, Philharmonia Orchestra | G Major | 3 | 9B | 115 BPM | ||
L'italiana in Algeri: Overture | Gioachino Rossini, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 154 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Sinfonia | Gioachino Rossini, Riccardo Chailly | E Major | 2 | 12B | 92 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act I No. 1: Introduzione: Piano, pianissimo | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | G Major | 0 | 9B | 104 BPM | ||
La Gazza Ladra - La Urraca Ladrona Obertura | Gioachino Rossini, Inma Shara | E Major | 1 | 12B | 138 BPM |
Section: 0.7050697803497314
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