"III. 1519 Revuelta de Las Germanías en Valencia y Represión de Las Comunidades: Cancionero De Palacio: "Harto De Tanta Porfía" (Villancico)" by Anonymous, Jordi Savall was released on January 1, 2000. Since III. 1519 Revuelta de Las Germanías en Valencia y Represión de Las Comunidades: Cancionero De Palacio: "Harto De Tanta Porfía" (Villancico) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 21 in Carlos V: Mille Regretz - La Canción Del Emperador by Jordi Savall. The popularity of III. 1519 Revuelta de Las Germanías en Valencia y Represión de Las Comunidades: Cancionero De Palacio: "Harto De Tanta Porfía" (Villancico) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of III. 1519 Revuelta de Las Germanías en Valencia y Represión de Las Comunidades: Cancionero De Palacio: "Harto De Tanta Porfía" (Villancico) by Anonymous, Jordi Savall is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kontakion of the Mother of God (Mode Plagal IV) | Medieval Byzantine Chant, Cappella Romana | F Major | 2 | 7B | 70 BPM | ||
Wo Carstvii Tvoiem | St. Peter St. Paul Cathedral Choir of Minsk | E♭ Minor | 1 | 2A | 83 BPM | ||
Per omnia saecula saeculorum... Pater noster... | Gregorian Chant, Simon Grant, Paul McCreesh, William Lyons, Gabrieli | B Major | 1 | 1B | 69 BPM | ||
Cantigas de Santa Maria: Nenbressete Madre de Deus | Alfonso X El Sabio, Alla Francesca, Brigitte Lesne | B Major | 1 | 1B | 87 BPM | ||
Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM | ||
Lauda Sion: Nunc dimittis - Sequentia in Festo Corporis Christi | Gregorian Chant, Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clevaux | A Major | 1 | 11B | 106 BPM | ||
Tuba sacre fidei - In arboris (Arr. Harre-Jones) | Philippe de Vitry, Orlando Consort | G Major | 1 | 9B | 139 BPM | ||
Lord Have Mercy | The Russian State Symphony Cappella | E♭ Minor | 2 | 2A | 78 BPM | ||
Pax in nomine domini! | Marcabru, Nigel Rogers, Early Music Consort Of London, David Munrow | E Minor | 1 | 9A | 170 BPM | ||
Nella partita | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 114 BPM |
Section: 0.5655314922332764
End: 0.5701389312744141