Holland Boys Choir, Netherlands Bach Collegium, Frank Anepool, Sytse Buwalda, Hendrik Jan Houtsma, Bas Ramselaar, Frank Wakelkamp, Nico Van Der Meel, Frank Aarnink, Vaughan Schlepp, Johann Sebastian Bach, Ruth Holton, Susan Williams, Pieter Jan Leusink's 'III. Es Erhub Sich Ein Streit BWV 19, 2. Recitativo (Basso): Gottlob! Der Drache Liegt' came out on December 20, 2006. With III. Es Erhub Sich Ein Streit BWV 19, 2. Recitativo (Basso): Gottlob! Der Drache Liegt being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 21 in Bach Cantatas (Complete) Part: 59 by Holland Boys Choir, Netherlands Bach Collegium. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, III. Es Erhub Sich Ein Streit BWV 19, 2. Recitativo (Basso): Gottlob! Der Drache Liegt is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of III. Es Erhub Sich Ein Streit BWV 19, 2. Recitativo (Basso): Gottlob! Der Drache Liegt by Holland Boys Choir, Netherlands Bach Collegium, Frank Anepool, Sytse Buwalda, Hendrik Jan Houtsma, Bas Ramselaar, Frank Wakelkamp, Nico Van Der Meel, Frank Aarnink, Vaughan Schlepp, Johann Sebastian Bach, Ruth Holton, Susan Williams, Pieter Jan Leusink is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I. Christ Lag In Todes Banden BWV 4, 4. Aria (Tenore) (Versus III): Jesus Christus, Gottes Sohn | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Bas Ramselaar, Nico Van Der Meel, Johann Sebastian Bach, Sytse Buwalda, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
Suite in E Minor, RCT 2: V. Le Rappel des Oiseaux | Jean-Philippe Rameau, Michel Kiener | F♯ Minor | 4 | 11A | 120 BPM | ||
II. Warum Betrübst Du Dich, Mein Herz? BWV 138, Choral (Coro): Weil Du Mein Gott Und Vater Bist | Holland Boys Choir, Netherlands Bach Collegium, Knut Schoch, Peter Frankenberg, Sytse Buwalda, Johann Sebastian Bach, Marjon Strijk, Frenkel, Bas Ramselaar, Pieter Jan Leusink | B♭ Minor | 2 | 3A | 144 BPM | ||
Missa Dolorosa: I. Kyrie | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Christ lag in Todesbanden: V. Coro "So feÿren wir das hohe Fest" | Johann Kuhnau, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM | ||
Missa Divi Xaverii, ZWV 12: Kyrie eleison II | Jan Dismas Zelenka, Hana Blaziková, Kamila Mazalová, Lucille Richardot, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | D♭ Minor | 1 | 12A | 107 BPM | ||
Ich weiss, dass mein Erloser leb, TWV 1:873: Dictum | Georg Philipp Telemann, Stefanie Wüst, Angela Froemer, Georg Poplutz, Jens Hamann, Siegen Collegium Vocale, Hannoversche Hofkapelle, Ulrich Stötzel | B Major | 1 | 1B | 115 BPM | ||
Gelobet sei der Herr, TWV 1:602/1216: Singt gegeneinander | Georg Philipp Telemann, Kölner Akademie, Michael Alexander Willens | D♭ Major | 2 | 3B | 121 BPM | ||
Wer ist der, so von Edom kömmt BWV 1167: I. No. 39, Der Gerechte kömmt um, BWV 1149 | Carl Heinrich Graun, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki | E♭ Minor | 2 | 2A | 74 BPM | ||
Magnificat Fugue Primi Toni IV, P260 | Johann Pachelbel, Matthew Owens | A Major | 2 | 11B | 113 BPM |
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