"Leb wohl, du kühnes, herrliches Kind (Die Walküre)" by Friedrich Schorr was released on September 1, 2006. Leb wohl, du kühnes, herrliches Kind (Die Walküre) is about six minutes long, preciously at 6:02, making this song fairly long compared to other songs. The track order of this song in Friedrich Schorr's "Lebendige Vergangenheit - Friedrich Schorr" album is number 16 out of 16. In terms of popularity, Leb wohl, du kühnes, herrliches Kind (Die Walküre) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Leb wohl, du kühnes, herrliches Kind (Die Walküre) by Friedrich Schorr to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ha, welch ein Augenblick (Fidelio) | Friedrich Schorr | G Major | 2 | 9B | 96 BPM | ||
Am Meer | Richard Jäger, Friedrich Schorr | A Major | 2 | 11B | 87 BPM | ||
Puccini: Madama Butterfly, Act 1: "Dovunque al mondo" (Sharpless, Pinikerton, Chorus) | Giacomo Puccini, Mario Borriello, Coro Del Teatro Alla Scala Di Milano, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano, Renato Ercolani | D♭ Major | 3 | 3B | 69 BPM | ||
Cavalleria rusticana: Part II: Mamma, mamma! Quel vino e generoso (Turiddu, Lucia, Santuzza, A Woman) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E♭ Major | 2 | 5B | 133 BPM | ||
Dona Francisquita - Duo De La Beltrana Y Fernando I | Miguel Fleta | D Major | 2 | 10B | 130 BPM | ||
Orff: Carmina Burana, Pt. 2, In Taberna: Estuans interius | Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Christian Gerhaher, Sir Simon Rattle | E Minor | 2 | 9A | 99 BPM | ||
Messa da Requiem: I. Requiem - Kyrie | Giuseppe Verdi, Krassimira Stoyanova, Marina Prudenskaya, Charles Castronovo, Georg Zeppenfeld, Sächsischer Staatsopernchor Dresden, Staatskapelle Dresden, Christian Thielemann | A Major | 3 | 11B | 79 BPM | ||
Mozart: Così fan tutte, K. 588, Act 1: "Non son cattivo comico" (Don Alfonso) | Wolfgang Amadeus Mozart, Otto Klemperer, Hans Sotin, New Philharmonia Orchestra | E Major | 2 | 12B | 78 BPM | ||
Il Barbiere di Siviglia: Finaletto II: Di sì felice innesto - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 2 | 6B | 95 BPM | ||
Rigoletto / Act 2: Scena ed Aria. "Povero Rigoletto!" "La rà, la rà" | Giuseppe Verdi, Josephte Clement, Christian Du Plessis, Sherrill Milnes, John Gibbs, Riccardo Cassinelli, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | E Minor | 2 | 9A | 110 BPM |
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