"Fra Holbergs tid (From Holberg's Time), Op. 40 (version for orchestra): III. Gavotte" by Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset was released on October 4, 2011. The duration of Fra Holbergs tid (From Holberg's Time), Op. 40 (version for orchestra): III. Gavotte is about 3 minutes long, at 3:11. Based on our data, "Fra Holbergs tid (From Holberg's Time), Op. 40 (version for orchestra): III. Gavotte" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Edvard Grieg, Bjarte Engeset's "Grieg: Music for String Orchestra" album is number 7 out of 18. On top of that, Hong Kong appears to be the country where this track was created. Fra Holbergs tid (From Holberg's Time), Op. 40 (version for orchestra): III. Gavotte is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fra Holbergs tid (From Holberg's Time), Op. 40 (version for orchestra): III. Gavotte by Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in G Minor: III. Scherzo: Allegro non troppo - moderato assai | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | A Minor | 2 | 8A | 110 BPM | ||
L'Arlésienne Suite No.1, WD 40: 2. Minuetto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | A♭ Major | 0 | 4B | 78 BPM | ||
Symphony No. 2 in B Minor: III. Andante | Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra | D♭ Major | 0 | 3B | 65 BPM | ||
Clarinet Quintet in A Major, K. 581: I. Allegro | Wolfgang Amadeus Mozart, David Shifrin, Emerson String Quartet | G Major | 2 | 9B | 152 BPM | ||
Symphony No. 2 in C Minor, Op. 17, TH 25 "Little Russian": III. Scherzo. Allegro molto vivace | Pyotr Ilyich Tchaikovsky, Lorin Maazel, Pittsburgh Symphony Orchestra | C Major | 3 | 8B | 112 BPM | ||
Symphony in C Minor, EG 119: II. Adagio espressivo | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | E Major | 1 | 12B | 78 BPM | ||
Sibelius: 2 Pieces from Kuolema, Op. 44: No. 1, Valse triste | Jean Sibelius, Oslo Philharmonic Orchestra, Mariss Jansons | G Major | 0 | 9B | 55 BPM | ||
Symphony No. 2 in B Minor: I. Allegro | Alexander Borodin, Stuttgart Radio Symphony Orchestra, Carlos Kleiber | G Major | 3 | 9B | 137 BPM | ||
Symphony in C Major, GB 115: I. Allegro vivo | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | G Major | 1 | 9B | 80 BPM | ||
Symphony No. 3 in A Minor "Scottish", Op. 56: II. Vivace non troppo | Felix Mendelssohn, Maxim Emelyanychev, Scottish Chamber Orchestra | F Major | 2 | 7B | 128 BPM |
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